Vie, mort, et renouveau du cinéma politique
Bibliographic Data
| ID | 4302408 |
|---|---|
| Authors | Tangui Perron (corresponding author) |
| Year | 1998 |
| Volume | 127 |
| Issue | 1 |
| Pages | 7-14 |
| Publication date | 1998-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | L Homme et la société (JOURNAL) |
| Journal identifiers | ISSN: 0018-4306 • E-ISSN: 2101-0226 |
| Publisher | PERSEE Program (PUBLISHER) |
| DOI | 10.3406/homso.1998.2927 |
| OpenAlex | W2063160932 |
| Language | FR |
| Citations received | 2 |
Tangui Perron, Life, Death and Rebirth of Political Cinema From the beginnings of cinema, filmed news featured strikes and social movements generally. In this reporting the essence of the dominant discourse was me obfuscation of the causes of the strikes and the motivations of the strikers, and the insistance upon the inconveniences occasioned by their actions. However, the labor force has always attempted, in vain, to counter these images with their own. This cinema, first called « social » and then « militant », sees itself as having a special relationship with politics and has tried a number of different aesthetic approaches
Aesthetics · Art · Art history · Militant · Movie theater · Obfuscation · Political science · Politics · Sociology · Communism, Protests, Social Movements · Historical Studies and Socio-cultural Analysis · Law · Philosophy · Vietnamese History and Culture Studies
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,18 |
| Citation span | 2015 - 2022 (8) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |