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A singer-songwriter's view of the French record industry

The case of Léo Ferré

Bibliographic Data

ID4304066
AuthorsChris Tinker (corresponding author)
Year2002
Volume21
Issue2
Pages147-157
Publication date2002-05-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s026114300200209x
OpenAlexW2011849968
LanguageEN
Citations received1
References cited2

Léo Ferré exemplifies what is now widely regarded in France as the golden era of la chanson française during the 1950s and 1960s. This article examines how one singer-songwriter attempted to deal in his own, highly idiosyncratic way with the contraints of working within the record industry, and focuses on the development of his ambivalent relationship with the record label owner and producer, Eddie Barclay. Although sympathetic to Ferré's cause, Barclay also adopted a pragmatic approach, particularly where questions of censorship were concerned, as he attempted to balance commercial necessity, legal requirements as well as the creative demands of the artist. The discussion also explores how Ferré has contributed to contemporary intellectual debates relating to the significance of popular music within a French context. Ferré showed marked resistance to North American influence and middle-of-the-road pop music, particularly la chanson yéyé, but he was by no means not-influenced by the arrival of rock in France

Ambivalence · Archaeology · Art · Balance (ability · Censorship · Context (archaeology · Music education · Music industry · Political science · Resistance (ecology · Sociology · Visual arts · Communism, Protests, Social Movements · French Historical and Cultural Studies · Historical Studies and Socio-cultural Analysis · History · Law · Psychology

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Unique citing works1
Citations per year0,05
Citation span2004 - 2004 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1
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