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Across the Platform Universe

Introduction

Bibliographic Data

ID4304105
AuthorsBrian Burkhart (0000-0001-6570-4568, Hanover University of Music Drama and Media, corresponding author), Christofer Jost (0009-0009-3326-4110, University of Freiburg)
Year2025
Volume44
Issue1
Pages1-7
Publication date2025-07-16
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143025000248
OpenAlexW4412466856
LanguageEN
References cited28

Imagine popular music cultures in the mid-2020s without digital platforms: no song snippets as part of TikTok trends, no Spotify playlists, no music videos on YouTube, no concert streams on Twitch, and no reels and stories on Instagram. Since the mid-2000s, web-based communication and creativity have become increasingly dependent on a relatively small number of digital platforms, which can now be understood as the sociotechnical nucleus of today's internet (Dolata 2021). Platforms occupy a powerful position in modern media cultures, exerting a decisive influence on the exchange of information, processes of communication, and the organisation of work and markets, as well as creating digital spaces for social action (Dolata and Schrape 2023). Functional rules, defined by the tech companies behind the platforms, are expressed in the platforms' interfaces and algorithmic logics (van Dijck et al. 2018). These functional rules do not determine the behaviour of cultural workers active on platforms, but they can substantially influence it - notably in the field of popular music. Due to the platforms' pre-defined media formats, such as short-form videos, playlists, and similar content, it appears feasible to hypothesise that musicians endeavour to adapt their content - including songs, videos, visual media, and lyrics - to achieve optimal visibility within the digital spaces facilitated by these platforms

Astronomy · Physics · Universe · Digital Economy and Work Transformation · Digital Games and Media · History · Sharing Economy and Platforms

  • If…Then

    Taina Bucher•If... Then•2018

  • The Platform Society

    José Van Dijck, Thomas Poell et al.•Platform Society•2018

  • Algorithms of Oppression

    Safiya Umoja Noble, Safiya Noble•Algorithms of Oppression•2020

  • Anxiety, panic and self-optimization

    Open Access•Sophie Bishop•Convergence The International…•2018

  • The Relevance of Algorithms

    Tarleton Gillespie•Media Technologies•2014

  • The Affordances of Social Media Platforms

    Taina Bucher, Anne Helmond•The Sage Handbook of Social Media•2018

  • Engineering culture

    Jeremy Wade Morris, Robert Prey et al.•Review of Communication•2021

  • The social power of algorithms

    D Beer•Information Communication & Society•2017

  • Funeral and Instagram

    Martin Gibbs, James Meese et al.•Information Communication & Society•2015

  • Streaming’s Effects on Music Culture

    Open Access•D Hesmondhalgh•Cultural Sociology•2022

  • Media ecology and the future ecosystemic society

    Open Access•Juho Ruotsalainen, Sirkka Heinonen•European Journal of Futures…•2015

  • Managing visibility on YouTube through algorithmic gossip

    Open Access•Sophie Bishop•New Media & Society•2019

  • Beyond the platform

    Open Access•A Jansson•New Media & Society•2021

  • Algorithmic culture

    Open Access•Ted Striphas•European Journal of Cultural…•2015

  • The Secret Sauce”

    Open Access•Brian Burkhart•Popular Music & Society•2025

  • Media, culture

    Open Access•Siegfried J Schmidt•Poetics•1992

  • Capturing Sound

    Mark Katz•Capturing Sound•2010

  • Music Platforms and the Optimization of Culture

    Open Access•Jeremy Wade Morris•Social Media + Society•2020

  • Platform Practices in the Cultural Industries

    Open Access•Brendan Duffy, Thomas Poell et al.•Social Media + Society•2019

  • Use Your Skills to Solve This Challenge

    Open Access•Carla Ilten•Social Media + Society•2015

Citation velocityhistorical
Highly citedNo

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