The cassette industry and popular music in North India
Bibliographic Data
| ID | 4304337 |
|---|---|
| Authors | Peter Manuel (corresponding author) |
| Year | 1991 |
| Volume | 10 |
| Issue | 2 |
| Pages | 189-204 |
| Publication date | 1991-05-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Popular Music (JOURNAL) |
| Journal identifiers | ISSN: 0261-1430 • E-ISSN: 1474-0095 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0261143000004505 |
| OpenAlex | W2114260469 |
| Language | EN |
| Citations received | 17 |
| References cited | 4 |
Since the early 1970s the advent of cassette technology has had a profound effect on music industries worldwide. This influence has been particularly marked in the developing world, where cassettes have largely replaced vinyl records and have extended their impact into regions, classes and genres previously uninfluenced by the mass media. Cassettes have served to decentralise and democratise both production and consumption, thereby counterbalancing the previous tendency toward oligopolisation of international commercial recording industries
Aesthetics · Art · Business · Consumption (sociology · Economics · Economy · Music industry · Political science · Production (economics · Visual arts · Asian Culture and Media Studies · Cinema and Media Studies · History · Music History and Culture
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| Unique citing works | 17 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 1992 - 2024 (33) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 17 |