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Cookin' on the West Coast

A contribution from the Swedish West Coast to contemporary composition practice

Bibliographic Data

ID4304375
AuthorsOlle Edstrom (corresponding author)
Year1996
Volume15
Issue1
Pages83-104
Publication date1996-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143000007972
OpenAlexW2152656924
LanguageEN
Citations received1
References cited11

In recent years, interest within popular music research in describing, analysing and discussing the music itself, the sounding object, has considerably increased. To the English speaking world, the most well known example perhaps is the work of Allan Moore (1993). At my department in Gothenburg, however, by the middle of the 1980s already several dissertations were being written taking the structure of popular music as their starting point to analyse the functions and meaning of popular music in society (Åhlen 1987, Björnberg 1987, Lilliestam 1988). The only problem with these dissertations, as well as with my book on the tin-pan alley tradition in Sweden (1989), is that they are all written in Swedish (although the dissertations have summaries in English or German

Aesthetics · Alley · Archaeology · Art · Art history · Composition (language · Epistemology · German · Linguistics · Literature · Meaning (existential · Media studies · Object (grammar · Period (music · Popular music · Sociology · Diverse Musicological Studies · History · Music Technology and Sound Studies · Philosophy

  • Death metal tonality and the act of listening

    Open Access•Harris M Berger•Popular Music•1999

  • The sociology of rock

    Simon Frith•The sociology of rock•1978

  • Sound effects

    Simon Frith•Sound effects•1981

  • Orality and technology

    Tricia Rose•Popular Music & Society•1989

  • Mass Media and Adolescent Schooling

    John W Mohr, John Mohr et al.•Contemporary Sociology A Journal…•1984

  • Cycles in Symbol Production

    R A Peterson, David G Berger•American Sociological Review•1975

  • The ethics of digital audio-sampling

    Open Access•Thomas Porcello•Popular Music•1991

  • Maybellene

    Open Access•Cubitt, Sean Cubitt•Popular Music•1984

  • Die Musik des 19. Jahrhunderts

    Serge Gut, Carl Dahlhaus•Revue de musicologie•1983

  • Die Musik des Barocks

    Maurice Cauchie, Robert Haas•Revue de musicologie•1930

  • Why 1955? Explaining the advent of rock music

    Open Access•R A Peterson•Popular Music•1990

Unique citing works1
Citations per year0,04
Citation span1999 - 1999 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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