Music industry research
Where now? Where next? Notes from Britain
Bibliographic Data
| ID | 4304409 |
|---|---|
| Authors | Frith (0000-0002-9774-8722, corresponding author), Simon Frith (corresponding author) |
| Year | 2000 |
| Volume | 19 |
| Issue | 3 |
| Pages | 387-393 |
| Publication date | 2000-10-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Popular Music (JOURNAL) |
| Journal identifiers | ISSN: 0261-1430 • E-ISSN: 1474-0095 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0261143000000234 |
| OpenAlex | W2126024462 |
| Language | EN |
| Citations received | 9 |
From 1995-2000 I was Director of the Economic and Social Research Council's research programme on Media Economics and Media Culture. One of my tasks was to organise meetings of researchers in the field and to this end I ran a series of seminars at the British Phonographic Institute for people studying the music industry. These seminars were thematic, covering music industry strategies in global media markets; methods for measuring the value of the music industry; the uses of music; and musicians. A final meeting, held in the then about-to-be-opened National Centre for Popular Music in Sheffield on 16 February 1999, brought together nearly all the UK's academic music industry researchers to discuss future research in the light of the MEMC Programme's findings. What follows is a report from both MEMC research and the Sheffield meeting. The aim is to provide an overview of the current research situation in Britain
Advertising · Art · Business · Media studies · Music education · Music industry · Pedagogy · Political science · Popular music · Public relations · Sociology · Value (mathematics · Visual arts · Art History and Market Analysis · Cultural Industries and Urban Development · Engineering
Popular Music in Indonesia since 1998, in Particular Fusion, Indie and Islamic Music on Video Compact Discs and the Internet
The introduction of copyright in the early record industry and implications of authorship for popular music in Croatia from 1929-1960s
The broken record
Independent Canadian Music in the Streaming Age
Research Note
Working musicians
Bytes and Backbeats
The networked state
Perspectives on cultural economy
| Unique citing works | 9 |
|---|---|
| Citations per year | 0,38 |
| Citation span | 2002 - 2024 (23) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 8 |