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Rock music

A Musical-Aesthetic Study

Bibliographic Data

ID4304428
AuthorsPeter Wicke (0009-0003-8687-2810, corresponding author)
Year1982
Volume2
Pages219-243
Publication date1982-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143000001306
OpenAlexW2044791861
LanguageEN
Citations received7
References cited3

Music has rarely exerted such positively hypnotic fascination on such masses of listeners as it has since the meteoric rise of the English group, the Beatles, at the begining of the 1960s. Under this influence the leisure behaviour of young people began to undergo lasting change, focusing around music to an extent that no one - despite the periodically recurring waves of enthusiasm for specific vogues within dance music - would have thought possible. Young people in their thousands took up music making as a leisure activity once again, to say nothing of the masses that a single rock concert was capable of mobilising. At the same time, music has become a sociopolitical problem on a scale never seen before, concerning teachers, sociologists and psychologists equally - and it has become so in both capitalist and socialist societies, even though with quite different emphases. Evidently, then, for a whole age group with a lower age limit of about twelve (and steadily falling) and an upper limit of between twenty and twenty-five (when family responsibilities intrude - see Dollase, Riisenberg and Stollenwerk 1978), the process of attainment of selfhood within society is being realised, essentially, with reference to the assimilation of this kind of music

Aesthetics · Art · Dance · Enthusiasm · Epistemology · Musical · Nothing · Sociology · Visual arts · Diverse Music Education Insights · Diversity and Impact of Dance · History · Music History and Culture · Philosophy · Psychology · Social Psychology

  • Everyday I Write the Book

    Open Access•Gilbert B Rodman•Journal of Popular Music Studies•2006

  • Is there rock after punk

    L Grossberg•Critical Studies in Mass…•1986

  • Rhythm and irreverence

    Angélica Madeira•Popular Music & Society•1991

  • The real cooking is done in the studio

    Donald C Meyer•Popular Music & Society•1995

  • Youth and Popular Music

    Open Access•Deanna Campbell Robinson•Gazette (Leiden Netherlands•1986

  • Articulating musical meaning/re-constructing musical history/locating the 'popular

    Open Access•Richard Middleton•Popular Music•1985

  • On the enduring popularity of Cream's 'Sunshine of Your Love

    Open Access•Arnold S Wolfe, Chuck Miller et al.•Popular Music•1999

  • Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit

    Open Access•Walter Benjamin•Anthologie Kulturpolitik•2019

  • Psychological Characteristics of Beatle Mania

    Evan Davies•Journal of the History of Ideas•1969

  • The Sound of the City

    Open Access•William J Schafer, Charlie Gillett•American Quarterly•1971

Unique citing works7
Citations per year0,17
Citation span1985 - 2006 (22)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 7

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