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The Raincoats

Breaking Down Punk Rock's Masculinities

Bibliographic Data

ID4304817
AuthorsCaroline O''Meara, Caroline Polk O’meara (corresponding author), Caroline O'Meara
Year2003
Volume22
Issue3
Pages299-313
Publication date2003-10-01
Open AccessYes
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143003003209
OpenAlexW2139836499
LanguageEN
Citations received14

The Raincoats were one of a handful of British, all-female punk bands successful enough to release records and tour internationally. Since the late 1970s, critics intrigued by the idea that music can enact gender, have heard their music as somehow embodying femininity. I explore the discursive origins of the Raincoats music as 'feminine music' before analysing their music to determine the specific nature of their work as female punk musicians. The Raincoats took advantage of punk's ideology of amateurism to shatter traditional (read: masculine) subjectivity in rock music. Analysing their music reveals the ways in which their music triggers listening that encourages an understanding of their music as feminine

Aesthetics · Art · Art history · Epistemology · Femininity · Ideology · Literature · Political science · Politics · Popular music · Punk · Rock music · Sociology · Subjectivity · Visual arts · Diverse Music Education Insights · Gender Studies · Law · Music History and Culture · Philosophy · Theater, Performance, and Music History

  • “Who Are You Calling ‘Lady’?”

    Open Access•Elizabeth K Keenan•Journal of Popular Music Studies•2008

  • Rock Against Gender Roles: Performing Femininities and Doing Feminism Among Women Punk Performers in the Netherlands, 1976-1982

    Open Access•Pauwke Berkers•Journal of Popular Music Studies•2012

  • Batalhas Sem Heróis

    Open Access•Paula Guerra, Edson Alencar Silva•Revista Sapiência sociedade…•2021

  • Space to play

    Helen Reddington•Popular Music History•2021

  • Ninguém nos ensina como viver. Ana da Silva, The Raincoats e a urgência de (re)existir

    Open Access•Paula Guerra•MODOS Revista de História da Arte•2023

  • The afterlife of punk

    Open Access•K Cashell•Punk & Post Punk•2023

  • Women Rock! How a North-East Music Blogger Redefines Women’s Role in Rock Music

    Sarah Mengede•Rock Music Studies•2022

  • Utilizing Critical Realism in Empirical Gender Research

    Victor Kvarnhall•Journal of Critical Realism•2017

  • Shouting Out Loud

    Christopher Spinks, C W Spinks•Punk & Post Punk•2026

  • Radical feminism and punk

    Na’ama Klorman-Eraqi•Photographies•2021

  • From Beatles Fans to Beat Groups

    Christine Feldman-Barrett•Feminist Media Studies•2013

  • I Wanna See Some History’

    Open Access•David M Wilkinson, David Wilkinson et al.•Contemporary European History•2016

  • The ‘punk rock principal’

    Andy Mckay•Journal of Educational…•2019

  • Building Up by Tearing Down

    Open Access•J S Robles•Journal of Language and Social…•2019

Citations per year0.78
Citation span2008 - 2026 (19)
Highly citedNo

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