Music, radio and the record business in Zimbabwe today
Bibliographic Data
| ID | 4304909 |
|---|---|
| Authors | Paddy Scannell (University of Westminster, corresponding author) |
| Year | 2001 |
| Volume | 20 |
| Issue | 1 |
| Pages | 13-27 |
| Publication date | 2001-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Popular Music (JOURNAL) |
| Journal identifiers | ISSN: 0261-1430 • E-ISSN: 1474-0095 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0261143001001283 |
| OpenAlex | W1984695739 |
| Language | EN |
| Citations received | 11 |
| References cited | 6 |
Radio and the recording business have, since the beginning of the last century, had a profound impact upon existing musical life whenever and wherever they have decisively and irreversibly established themselves. Their arrival restructures and redefines the social relations of music in many aspects of its production, performance and reception. Radio and recording technologies have had a significant impact on the livelihoods of all those who one way or another try to make a living from music (composers, performers and - in Europe - publishers, for instance). Performance itself is transformed as new norms are set in place which call for new levels of technique and interpretation. Finally the conditions of musical reception are reconfigured and new `taste publics' emerge, potentially in conflict with each other, as musical life is totalised into a new and complex unity
Aesthetics · Art · Interpretation (philosophy · Livelihood · Media studies · Music education · Music industry · Musical · Popular music · Set (abstract data type · Social life · Social science · Sociology · Taste · Visual arts · African studies and sociopolitical issues · Cinema and Media Studies · Computer Science · History · Music History and Culture · Psychology
Rethinking the notion of chimurenga in the context of political change in Zimbabwe
‘Welcome singing sungura queens’
A self-made Zimbabwean musician
Between Globalisation And Localisation
The production of stardom and the survival dynamics of the Zimbabwean music industry in the post-2000 crisis period
The Wordy Worlds of Popular Music in Eastern and Southern Africa
Popular Music as Journalism in Zimbabwe
From DJ talk to music journalism
Reworking and resisting globalising influences
Yizo Yizo
In the Beginning was the Land
| Unique citing works | 11 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2004 - 2023 (20) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 11 |