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The Iconographic Couple of St Michael as Weigher of Souls and the Protecting Virgin

A Visual Formula as a Marker and Maker of Medieval Sacred Space

Bibliographic Data

ID4313402
AuthorsMihnea Alexandru Mihail (0000-0002-3485-5432, Bucharest National University of Arts, corresponding author)
Year2025
Volume16
Issue6
Pages749
Publication date2025-06-10
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueReligions (JOURNAL)
Journal identifiersISSN: 2077-1444 • E-ISSN: 2077-1444
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/rel16060749
OpenAlexW4411187136
LanguageEN
References cited11

This research addresses the formula linking between Michael the Archangel and the Holy Virgin in the wall paintings from fourteenth-century parish churches in the Hungarian Kingdom. This starts from the murals that join together between the figure of St. Michael in the act of psychostasis, as the weigher of souls, and Mary, with the mantle, represented with her all-embracing cloak, and it investigates the spatial implications between St. Michael and Mary

Art · Linguistics · Literature · Byzantine Studies and History · Historical and Religious Studies of Rome · Medieval Literature and History · Philosophy

  • D’un jugement à l’autre

    Marcello Angheben•D'un Jugement a L'autre : La…•2013

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    Baudouin de Gaiffier•Analecta Bollandiana•1978

  • Jugement de l'âme, Jugement dernier

    Jérôme Baschet•Revue Mabillon•1995

  • Iconology of Charity

    Ivan Gerát, Gerat I•Iconology of Charity•2020

  • Une image à deux temps. Jugement Dernier et jugement des âmes au Moyen Age

    Open Access•Jérôme Baschet•Images re-vues•2008

  • Mary or Michael? Saint-Switching, Gender, and Sanctity in a Medieval Miracle of Childbirth

    Open Access•Katherine Allen Smith•Church History•2005

Citation velocityhistorical
Highly citedNo

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