Towards a More Reciprocal Discourse Between Analysis and Performance
Bibliographic Data
| ID | 4315643 |
|---|---|
| Authors | Ian Sewell (Honeywell (United States), corresponding author) |
| Year | 2020 |
| Volume | 39 |
| Issue | 3 |
| Pages | 414-433 |
| Publication date | 2020-10-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Analysis (JOURNAL) |
| Journal identifiers | ISSN: 0262-5245 • E-ISSN: 1468-2249 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/musa.12168 |
| OpenAlex | W3154773833 |
| Language | EN |
| Citations received | 1 |
| References cited | 36 |
This critical commentary surveys some of the now-canonical literature that redefined the relationship between analysis and performance after Wallace Berry. While efforts have been made to give performance a place at the analytical table, I maintain that our current conceptions of what counts as musical structure have remained overly indebted to music theory, stifling any balanced dialogue with performance, and I suggest one possible way forward by probing an unusual structural moment in a Mozart quartet movement
Art · Epistemology · Linguistics · Literature · MOZART · Musical · Reciprocal · Computer Science · Music Technology and Sound Studies · Musicology and Musical Analysis · Neuroscience and Music Perception · Philosophy · Psychology
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| Unique citing works | 1 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2023 - 2023 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |