Buddha in a box
The materiality of recitation in contemporary chinese buddhism
Bibliographic Data
| ID | 4317426 |
|---|---|
| Authors | Natasha Heller (0000-0002-3247-8442, University of California, Los Angeles, corresponding author) |
| Year | 2014 |
| Volume | 10 |
| Issue | 3 |
| Pages | 294-314 |
| Publication date | 2014-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Material Religion (JOURNAL) |
| Journal identifiers | ISSN: 1743-2200 • E-ISSN: 1751-8342 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.2752/175183414x14101642921384 |
| OpenAlex | W2318883071 |
| Language | EN |
| Citations received | 5 |
| References cited | 6 |
Buddha-recitation devices (nianfo ji 念佛機) use modern technology to reproduce the name of the Buddha endlessly, offering this function in the form of portable plastic boxes akin to small radios or iPods. These devices raise key questions for our understanding of contemporary Buddhism: Why is a specialized device necessary? How is the device shaped by earlier traditions of recitation and sound? The Buddha-recitation device uses packaging and ornamentation to establish its status as a religious object, thereby sanctifying the ordinary function of producing sound. Although this mechanized recitation appears to replace that of human voice, analysis of miracle tales, personal testimonials, and doctrinal discussions shows that these devices more closely emulate the sacred sounds spontaneously produced in the environment of the western paradise where Buddhists aspire to be reborn
Aesthetics · Art · Art history · Buddhism · Gautama Buddha · Key (lock · Literature · Materiality (auditing · Miracle · Paradise · Theology · Visual arts · Anthropological Studies and Insights · Chinese history and philosophy · Computer Science · History · Indian and Buddhist Studies · Philosophy
| Citations per year | 1 |
|---|---|
| Citation span | 2021 - 2025 (5) |
| Highly cited | No |