Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

The challenges of representing shiva image, place, and divine form in the himalayan hindu shrine of kedarnath luke whitmore

Bibliographic Data

ID4318090
AuthorsLuke Whitmore (0000-0002-1037-9638, University of Wisconsin–Stevens Point, corresponding author)
Year2012
Volume8
Issue2
Pages215-241
Publication date2012-06-01
Open AccessNo
TypeARTICLE
VenueMaterial Religion (JOURNAL)
Journal identifiersISSN: 1743-2200 • E-ISSN: 1751-8342
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.2752/175183412x13346797481113
OpenAlexW2013394215
LanguageEN
Citations received1
References cited12

Kedarnath is a famous abode of the god Shiva. One of the distinctive features of this Himalayan Hindu pilgrimage place is the fluidity with which the connection of the rock-form of Shiva inside the temple and the broader physical environment of the shrine is represented. Analysis of printed depictions of Kedarnath helps to understand this fluidity. Yet these images tell a complicated story. In doing justice to the numerous ways in which Shiva is understood to be present in Kedarnath, print images of Kedarnath navigate a complicated set of representational challenges. They solve these challenges through particular usages of photographic and painted montage, composite composition, and overpainting (painting over a photographic image). A careful examination of popular depictions of Kedarnath shows how the everyday, historic, and symbolic realities of the site are in a certain tension with the existing technical and aesthetic parameters available for creating what Martin Gaenszle and Jörg Gengnagel have called “cultural representation of space.” In addition to the formal characteristics of the images and their contingent receptions and functions, this tension can itself be read as an important ethnographic datum that illuminates the distinctive, and distinctively contingent, nature of the site

Aesthetics · Archaeology · Art · Ethnography · Hinduism · Linguistics · Literature · Painting · Pilgrimage · Politics · The Symbolic · Visual arts · Anthropological Studies and Insights · Geographies of human-animal interactions · History · Law · Philosophy · Psychology · Religious studies · Religious Tourism and Spaces

  • Youth Futures and a Masculine Development Ethos in the Regional Story of Uttarakhand

    Open Access•Leah Koskimaki•Journal of South Asian Development•2017

  • Moral Topophilia

    C Pinney•The anthropology of landscape•1995

  • The Alchemical Body

    David Gordon White•Alchemical Body•1996

  • Gods in the Bazaar

    Open Access•Kajri Jain, Nicholas Thomas•Gods in the Bazaar•2007

  • Vindhyavāsini

    Cynthia Ann Humes•Devi•1996

  • The Linga as Center

    HERBERT C WOLF•Journal of the American Academy…•1978

  • On the materiality of religion

    W Keane•Material Religion•2008

  • Fear in Paradise

    Divya P Tolia-Kelly•The Senses and Society•2007

  • Material and visual in south asia

    Richard H Davis•Material Religion•2009

  • Pilgrimage in the Indian Tradition

    Agehananda Bharati•History of Religions•1963

  • More than Meets the Eye

    Open Access•Kajri Jain•Contributions to Indian Sociology•2002

Citations per year0.11
Citation span2017 - 2017 (1)
Highly citedNo

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae