Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

The art of photography in China

Some Observations on Its Aesthetic Connotation

Bibliographic Data

ID4320076
AuthorsLeiying Zhi (0009-0008-1368-9659, Zhejiang Yuexiu University, corresponding author)
Year2024
Volume47
Issue5
Publication date2024-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueTrans/Form/Ação (JOURNAL)
Journal identifiersISSN: 0101-3173 • E-ISSN: 1980-539X
PublisherFapUNIFESP (SciELO) (PUBLISHER)
DOI10.1590/0101-3173.2024.v47.n5.e02400153
OpenAlexW4396861712
SCIELO_PIDS0101-31732024000500206
LanguageEN
References cited20

Photography, as a tool, mainly presents the relationship between people and objects through the use of artistic elements, such as light, shadow and color in images. The creation of photography is an activity that requires inspiration and skills. It requires photographers to carefully and deeply observe and think about the overall structure of the work, in order to take good photos that are both artistic and thoughtful. The development and popularization of photography in today's society cannot be underestimated for their impact on public aesthetics and humanistic thinking. This paper aims to analyze the aesthetic connotation of Chinese photography and explore its aesthetic standards and values. The philosophical thoughts in Chinese photography are explored, and their reflections and perspectives on life and society are analyzed. The relationship and mutual influence between aesthetic connotations and philosophical thoughts in Chinese photography are explored, and their significance and influence on photography works are analyzed, so as to better understand and appreciate the uniqueness of Chinese photography. Chinese photography is a unique and diverse form of artistic expression that reflects China's rich cultural heritage and social development. By emphasizing harmony, the integration of painting elements, storytelling and appreciation of nature, Chinese photography provides a profound aesthetic experience and conveys deeper meanings of unity, tranquility, and the relationship between people and the environment

Aesthetics · Archaeology · Art · China · Connotation · Geography · Linguistics · Photography · Visual arts · Philosophy · Photography and Visual Culture

  • Carlos Relvas’s Stereoscopic Photography

    Víctor Manuel Heredia Flores, Victor Flores•History of Photography•2020

  • The writing, transformation, and rewriting of photo archives in Chinese photography from the 1940s to date

    Yining He•Photographies•2021

  • Theorizing New Photographies in Contemporary China

    Hongfeng Tang•Photography and Culture•2022

  • English in the linguistic landscape of the Palace Museum

    Rong Xiao, Carmen Lee•Social Semiotics•2019

  • Photographic art and technology in contemporary India

    Aileen Blaney•Philosophy of Photography•2019

  • Elements of Photography

    Aglaya Glebova•Representations•2018

  • Peruvian Female Industrialists and the Globalization Project

    Open Access•Olga Celle De Bowman•Gender & Society•2000

Citation velocityhistorical
Highly citedNo

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae