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Bless the Gods for my pencils and paper

Katie Gliddon's prison diary, Percy Bysshe Shelley and the suffragettes at Holloway

Bibliographic Data

ID4347429
AuthorsAnne Schwan (Edinburgh Napier University, corresponding author)
Year2013
Volume22
Issue1
Pages148-167
Publication date2013-02-01
Open AccessNo
TypeARTICLE
VenueWomen s History Review (JOURNAL)
Journal identifiersISSN: 0961-2025 • E-ISSN: 1747-583X
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/09612025.2012.724917
OpenAlexW2032890717
LanguageEN
Citations received4

This article discusses the life and imprisonment of the largely unknown middle-class artist and suffrage activist Katie Gliddon and analyzes her extensive prison diary, secretly written and drawn in her copy of The Poetical Works of Percy Bysshe Shelley at London’s Holloway Prison in March and April 1912. By creating a platform for the voices of ‘ordinary’ prisoners and by opening up a space for a transgressive gaze between suffragettes, ‘ordinary’ prisoners and female officers, Gliddon’s writings allow us to complicate our understanding of cross-class relations within the women’s suffrage campaign and in women’s prisons more generally speaking

Art · Art history · Criminology · Imprisonment · Political science · Prison · Sociology · Suffrage · The arts · Visual arts · Autobiographical and Biographical Writing · Gender Roles and Identity Studies · Historical Studies on Reproduction, Gender, Health, and Societal Changes · History · Law

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Citations per year0.36
Citation span2015 - 2025 (11)
Highly citedNo

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