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Cross-Domain Descriptions

The Sensory and the Psychological

Bibliographic Data

ID4351328
AuthorsMichelle Liu (0000-0003-4427-1235, Philosophy, University of Hertfordshire , UK, corresponding author)
Year2023
Volume73
Issue4
Pages950-964
Publication date2023-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Philosophical Quarterly (JOURNAL)
Journal identifiersISSN: 0031-8094 • E-ISSN: 1467-9213
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/pq/pqad043
OpenAlexW4365513227
LanguageEN
Citations received3
References cited20

Cross-domain descriptions are descriptions of features pertaining to one domain in terms of vocabulary primarily associated with another domain. Notably, we routinely describe psychological features in terms of the sensory domain and vice versa. Sorrow is said to be 'bitter' and fear 'cold'. Music can be described as 'happy', 'sad', 'mournful', and so on. Such descriptions are rife in both everyday discourse and literary writings. What is it about psychological features that invites descriptions in sensory terms and what is it about the sensory that invites descriptions in terms of the psychological? Drawing on the literature on polysemy, this paper sheds light on cross-domain descriptions pertaining to the sensory and the psychological domains

Cognitive psychology · Cognitive science · Domain (mathematical analysis) · Linguistics · Polysemy · Sensory system · Sorrow · Vocabulary · Categorization, perception, and language · Language, Metaphor, and Cognition · Multisensory perception and integration · Philosophy · Psychology · Social Psychology

  • Polysemy and Philosophy

    Open Access•Michelle Liu•Philosophy Compass•2025

  • Emotion descriptions and musical expressiveness

    Open Access•Michelle Liu•Mind & Language•2025

  • A corpus-based cognitive linguistic analysis of taste terms

    Open Access•Ting Zhang, Zhang Ting et al.•Terminology International Journal…•2025

  • Thoughts and Utterances

    Robyn Carston•Thoughts and Utterances•2002

  • Crossmodal correspondences

    Open Access•Charles Spence•Attention, Perception, &…•2011

  • The cognitive model of anger inherent in American English

    Open Access•George Lakoff, Zoltán Kövecses•Cultural Models in Language and…•1987

  • The Perception of Music

    P Boghossian•The British Journal of Aesthetics•2009

  • The Perception of Music

    Christopher Peacocke•The British Journal of Aesthetics•2009

  • Music and Metaphor

    Silvia Cordeiro Nassif Schroeder, Schroeder et al.•The British Journal of Aesthetics•2013

  • The Characterization of Aesthetic Qualities by Essential Metaphors and Quasi-Metaphors

    Malcolm Budd•The British Journal of Aesthetics•2006

  • Musical Expressiveness

    Open Access•Derek Matravers•Philosophy Compass•2007

Unique citing works3
Citations per year3
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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