Public art and public space - Waiting stress and waiting pleasure

Bibliographic Data

ID4356089
AuthorsHarald Klingemann (0000-0003-0957-7220, Bern University of Applied Sciences, Bern, Switzerland; Research Unit Communication Design, Bern University of the Arts, Bern, Switzerland, corresponding author), Arne Scheuermann (0000-0001-5134-2121, Bern University of Applied Sciences, Bern, Switzerland; Research Unit Communication Design, Bern University of the Arts, Bern, Switzerland), Kurt Laederach (0000-0002-4222-0744, University Hospital Bern, Bern, Switzerland), Birgit Krueger (Copa & Sordes, Basel, Switzerland), Eric Schmutz (Copa & Sordes, Basel, Switzerland), Simon Stähli (Bern University of Applied Sciences, Bern, Switzerland; Research Unit Communication Design, Bern University of the Arts, Bern, Switzerland), Minou Afzali (Bern University of Applied Sciences, Bern, Switzerland; Research Unit Communication Design, Bern University of the Arts, Bern, Switzerland), Vero Kern (Vero.Profumo, Zürich, Switzerland)
Year2018
Volume27
Issue1
Pages69-91
Publication date2018-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueTime & Society (JOURNAL)
Journal identifiersISSN: 0961-463X • E-ISSN: 1461-7463
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/0961463x15596701
OpenAlexW1006286262
LanguageEN
Citations received2
References cited39

The study presented here applies from an interdisciplinary perspective the "temporal know-how" of art and communication design as well as the social sciences to the exploration of the impact of two types of holistic artistic waiting room transformations on waiting experience and behaviour. The quasi-experiment was conducted in a hospital and in an administrative setting. Contrary to current information centred types of waiting management stressing 'clock-time' only and attempting to reduce objective waiting times, the artistic intervention follows a holistic concept by appealing to all the senses influencing felt time and social time. It comprises visual, acoustic, tactile/haptic and olfactory elements (fragrance management). The "observation-oriented" artistic intervention uses contemplative video works, ornamentation, relaxing fragrances and a corresponding seating design. The "action-oriented" room climate promotes communication and stimulating object and surface design, coupled with a subliminally stimulating fragrance environment. After a simultaneous one-week baseline measurement in both organizations, follow-up measures were conducted during one week of each type of intervention. Results are based on 482 personal interviews and 1950 observations of waiting clients: Perceived waiting time and objective waiting time correlated only moderately (rp = 56) and expected waiting time was overestimated. In both waiting room settings, room transformations - compared to baseline measures - reduced waiting stress behaviour (however not perceived stress) and increased both positive overall room perception and the evaluation of specific room characteristics among clients/patients. Differences between the two room climates were not significant and effects appear to be stronger in the administrative space. The relatively short waiting times (16-20 min) and high levels of waiting satisfaction at baseline might have limited the effect size of the holistic interventions. At the same time observed positive outcomes can be plausibly expected in waiting zones with much longer waiting times

Action (physics · Architectural engineering · Art · Control (management · Intervention (counseling · Perception · Perspective (graphical · Public space · Visual arts · Applied Psychology · Computer Science · Engineering · Psychology · Social Psychology · Urban Green Space and Health

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