ComposingPost-Colonial War Requiem
Issues and Processes
Bibliographic Data
| ID | 4364397 |
|---|---|
| Authors | Francis Silkstone (corresponding author) |
| Year | 2011 |
| Volume | 6 |
| Issue | 3 |
| Pages | 267-283 |
| Publication date | 2011-11-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Senses and Society (JOURNAL) |
| Journal identifiers | ISSN: 1745-8927 • E-ISSN: 1745-8935 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.2752/174589311x13046098680015 |
| OpenAlex | W2280964219 |
| Language | EN |
| Citations received | 2 |
| References cited | 2 |
As a composer of intercultural music for the Post-Colonial War Requiem, I am particularly concerned with commonalities and contrasts between the ways in which the sense of hearing perceives and analyzes musical sound in two art-music traditions, one of which originated in the cultures of Europe, and the other in the cultures of the northern part of the Indian sub-continent. I am not a scholar; I am a thinking practitioner, writing from my perspective within the Noise of the Past team. As part of that team's creative engagement with post-colonial narratives of war, Post-Colonial War Requiem is intended as a live-performance memorial for the Indian volunteer army
Archaeology · Art · Colonialism · Literature · Media studies · Musical · Narrative · Perspective (graphical · Sociology · Spanish Civil War · Visual arts · Diverse Musicological Studies · History
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,13 |
| Citation span | 2011 - 2012 (2) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |