To Be so Like a Bird in a Cage
Touch, Comfort and Connecting With the Eighteenth-Century Madhouse
Bibliographic Data
| ID | 4364545 |
|---|---|
| Authors | Anna Jamieson (0000-0003-0670-5813, British Academy, corresponding author) |
| Year | 2024 |
| Volume | 19 |
| Issue | 3 |
| Pages | 285-297 |
| Publication date | 2024-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Senses and Society (JOURNAL) |
| Journal identifiers | ISSN: 1745-8927 • E-ISSN: 1745-8935 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17458927.2024.2403045 |
| OpenAlex | W4402838640 |
| Language | EN |
| References cited | 36 |
Aesthetics · Art · Art history · Cage · John Cage · Performance art · Visual arts · Communication · Engineering · Historical and Scientific Studies · Historical Psychiatry and Medical Practices · Historical Studies on Reproduction, Gender, Health, and Societal Changes · Psychology
Private Madhouses in England, 1640–1815
Atmospheric Architectures
The Anatomy of Madness
‘God grant it may do good two all’
Life in the Asylum
Eighteenth-century madhouse practice
A gentleman's mad-doctor in Georgian England
‘Good in all respects’
To cure those afflicted with the disease of insanity
Sex and Seclusion, Class and Custody
Patients' Relatives and Psychiatric Doctors
Madness at Home
Families, Patients and Emotions
Therapeutic Landscapes
At the limits of liberty
A mansion for the mad
Life for the Families of the Victorian Criminally Insane
Affective atmospheres
Atmosphere as the Fundamental Concept of a New Aesthetics
Objects of safety and imprisonment
| Citation velocity | historical |
|---|---|
| Highly cited | No |