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Sonic Envelopes

Bibliographic Data

ID4364552
AuthorsPeg Rawes (corresponding author)
Year2008
Volume3
Issue1
Pages61-78
Publication date2008-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Senses and Society (JOURNAL)
Journal identifiersISSN: 1745-8927 • E-ISSN: 1745-8935
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.2752/174589308x266470
OpenAlexW4253365976
LanguageEN
Citations received3
References cited3

This article examines ways in which an individual's experiences of spatial environments are informed by physical and psychic perceptions of sound. It explores how sonic images, memories, voices, spaces and events constitute "sonic envelopes." These aesthetic figures are developed out of the late-nineteenth-century writings by the philosopher Henri Bergson and from contemporary audio-walks by the artist, Janet Cardiff. Each shows that sound, space and time are embodied in the individual's powers of sensory perception. Bergson and Cardiff's sonic envelopes may therefore enable reevaluations of the relationships between sound, space and time that connect the individual to his or her environment

Acoustics · Aesthetics · Art · Cartography · Embodied cognition · Epistemology · Geography · Linguistics · Perception · Physical space · Physics · Psychic · Sociology · Sound (geography · Soundscape · Musicology and Musical Analysis · Philosophy · Visual Culture and Art Theory

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  • Critique of Pure Reason

    Open Access•Immanuel Kant, Paul Guyer et al.•Critique of Pure Reason•1998

  • Key writings

    Henri Bergson•Key writings•2002

Unique citing works3
Citations per year0,25
Citation span2014 - 2018 (5)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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