Curating Lights and Shadows, or the Remapping of the Lived Experience of Space
Bibliographic Data
| ID | 4364652 |
|---|---|
| Authors | Elena Papadaki (0000-0002-6653-4334, corresponding author) |
| Year | 2015 |
| Volume | 10 |
| Issue | 2 |
| Pages | 217-236 |
| Publication date | 2015-05-04 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Senses and Society (JOURNAL) |
| Journal identifiers | ISSN: 1745-8927 • E-ISSN: 1745-8935 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17458927.2015.1042247 |
| OpenAlex | W2112430152 |
| Language | EN |
| Citations received | 1 |
| References cited | 4 |
This article investigates the curation and presentation of screen-based works that involve the use of light and darkness. Focusing on two works, Rafael Lozano-Hemmer's "Under Scan" (London, 2008) and Gregory J. Markopoulos' "Eniaios" (Lyssaraia, 2012), it exposes the complexities that arise in the space/sensation relationship when there is an interchange of light and darkness. Moreover, it explores the ways in which screen-based works can function as ephemeral architecture and as communication vehicles between the physical environment and living agents. I will present Lozano-Hemmer's practice in dialogue with Markopoulos' screenings, in an attempt to define the curated event - as an experience and as a process- based on notions of immersion and the sensorial apprehension of space
Aesthetics · Apprehension · Art · Cognitive psychology · Cognitive science · Computer security · Darkness · Ephemeral key · Event (particle physics · Human–computer interaction · Physics · Presentation (obstetrics · Sociology · Visual arts · Art, Technology, and Culture · Computer Science · History · Museums and Cultural Heritage · Psychology · Architecture
| Citation velocity | historical |
|---|---|
| Highly cited | No |