Feminist aesthetics
Then and now - reflections on thirty-five years of inquiry in the US tradition
Bibliographic Data
| ID | 4367428 |
|---|---|
| Authors | Natalia Anna Michna (0000-0001-9334-474X, Jagiellonian University, corresponding author) |
| Year | 2025 |
| Volume | 26 |
| Issue | 2 |
| Pages | 364-384 |
| Publication date | 2025-04-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Feminist Theory (JOURNAL) |
| Journal identifiers | ISSN: 1464-7001 • E-ISSN: 1741-2773 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/14647001241284969 |
| OpenAlex | W4403225970 |
| Language | EN |
| Citations received | 1 |
| References cited | 55 |
Marking the thirty-fifth anniversary since its emergence in the United States, feminist aesthetics commemorates its significant contributions to feminist philosophical inquiry. This anniversary provides an opportunity to reflect on the field's current status and its potential to further enrich philosophical discourse. This article sets out to (a) synthesise the existing theoretical frameworks within feminist aesthetics, (b) delineate its subject matter and (c) chart the dominant trends and interventions marking feminist engagements with aesthetics. In contemporary feminist debates, aesthetics often occupies a peripheral position, a phenomenon attributed to its perceived detachment from the socio-political core of feminism (Plonowska-Ziarek) and its dismissal as a 'feminine' or 'girly' discipline (Brand Weiser). This marginalisation is further compounded by critiques of the field's allegedly slow response to the ideas, problems and methodologies present in related domains and broader philosophical inquiry (Eaton). So, despite acknowledging the vital role of aesthetics within feminist philosophy, the articulation of a systematic and coherent feminist aesthetic theory remains elusive. The purpose of this article is to provide an overview of the most significant and representative positions within feminist aesthetics in the US tradition. The first section introduces the topic of feminist aesthetics. The second section examines feminist interventions in aesthetics, including their evolution towards intersectional and transnational approaches. The challenges of establishing autonomy within and defining feminist aesthetics are discussed in the third, fourth and fifth sections. The sixth section explores the main currents of feminist aesthetics: (a) historical-critical, (b) essentialist (revisionism vs perspectivism), (c) gynocentric and (d) anti-theoretical
Aesthetics · Art · Sociology · Art, Politics, and Modernism · Ethics, Aesthetics, and Art · Gender Studies · Posthumanist Ethics and Activism
Feminist Aesthetics
Feminist Alliances
Gender and Genius
Gender in the Mirror
Sexual / Textual Politics
Towards a Weak Avant-Garde, Re-Shaping the Canon
The Politics and Aesthetic Choices of Feminist Art Criticism
Art Criticism and the State of Feminist Art Criticism
Literature after Feminism
Feminist Aesthetics and the Politics of Modernism
Black Looks
On Female Body Experience
The Pink Glass Swan
Old Mistresses
Still Practice, A/Wrested Alphabet
Where Ethics and Aesthetics Meet
Re-enfranchising Art
Is There a Feminist Aesthetic
Feminist Art Epistemologies
Aesthetics in Crisis
Black Aesthetics, Feminist Aesthetics, and the Problems of Oppositional Discourse
Framing feminism
Humanism, gynocentrism and feminist politics
Visual Pleasure and Narrative Cinema
A Gynecentric Aesthetic
Feminist Philosophy of Art
Telling stories about feminist art
Fine Arts and Feminism
Oppression, Privilege, & Aesthetics
Feminist Aesthetics
Feminist Criticism in the Wilderness
| Unique citing works | 1 |
|---|---|
| Citations per year | 1 |
| Citation span | 2025 - 2025 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |