Montage Diversity
Bibliographic Data
| ID | 4370025 |
|---|---|
| Authors | Jesse Matz (corresponding author) |
| Year | 2023 |
| Volume | 161 |
| Issue | 1 |
| Pages | 41-69 |
| Publication date | 2023-02-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Representations (JOURNAL) |
| Journal identifiers | ISSN: 0734-6018 • E-ISSN: 1533-855X |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/rep.2023.161.3.41 |
| OpenAlex | W4320556466 |
| Language | EN |
| References cited | 1 |
Montage diversity divides even as it unites the people it represents, making it a telling register of possibilities for social inclusion in American visual culture. Montage effects in Mr. Smith Goes to Washington (1939) and Pepsi-Cola's 1969 campaign "You've Got a Lot to Live" demonstrate the problems that arise in the combination of social diversity and filmic montage, and, because one was the work of avant-garde film artist Slavko Vorkapich and the other of his son Ed Vorkapich, compose a critical genealogy of montage diversity and its implications for social inclusion
Art · Diversity (politics · Genealogy · Inclusion (mineral · Sociology · Visual arts · Anthropology · Art, Politics, and Modernism · Cultural Industries and Urban Development · History
| Highly cited | No |
|---|