Quirk Shame
Bibliographic Data
| ID | 4370124 |
|---|---|
| Authors | Benjamin Walton (corresponding author) |
| Year | 2015 |
| Volume | 132 |
| Issue | 1 |
| Pages | 121-129 |
| Publication date | 2015-11-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Representations (JOURNAL) |
| Journal identifiers | ISSN: 0734-6018 • E-ISSN: 1533-855X |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/rep.2015.132.1.121 |
| OpenAlex | W4253651008 |
| Language | EN |
| Citations received | 2 |
Although music historians have begun to consider some of the broad implications of large-scale digitization, the shift from traditional library- or archive-based methods of research to speculative Internet text searching remains largely invisible within an unchanged scholarly apparatus of footnotes and bibliographies. As a result, quirky details become easier to find, yet that ease is itself concealed, perhaps, this article argues, because to admit it might occasion a variety of academic shame
Cartography · Digitization · Geography · Political science · Shame · Sociology · Telecommunications · The Internet · World Wide Web · Computer Science · Diverse Musicological Studies · History · Law · Music and Audio Processing · Music History and Culture · Artificial Intelligence
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,2 |
| Citation span | 2016 - 2020 (5) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |