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Picturing Efficiency

Precisionism, Scientific Management, and the Effacement of Labor

Bibliographic Data

ID4370230
AuthorsSharon Corwin (corresponding author)
Year2003
Volume84
Issue1
Pages139-165
Publication date2003-11-01
Open AccessNo
TypeARTICLE
VenueRepresentations (JOURNAL)
Journal identifiersISSN: 0734-6018 • E-ISSN: 1533-855X
PublisherUniversity of California Press (PUBLISHER • US)
DOI10.1525/rep.2003.84.1.139
OpenAlexW4244852133
LanguageEN
Citations received9

In the early decades of the twentieth century, the pursuit of efficiency came to dominate instances of industrial and artistic production: the engineering consultants Frank and Lillian Gilbreth attempted to visualize a language of minimal waste, while Precisionist art achieved its own aesthetic of efficiency. This essay examines the Precisionist project alongside the discourses of the rationalized factory and suggests a relationship between the formal economy of Precisionism and the rhetoric of scientific management. For Precisionist art and the Gilbreths' time-motion studies, the representation of efficiency ultimately entailed the elision of artist and worker as producers of labor

Aesthetics · Art · Economics · Linguistics · Microeconomics · Operations management · Political science · Rhetoric · Scientific management · Sociology · Art, Technology, and Culture · Computer Science · Law · Philosophy · Philosophy, History, and Historiography · Photography and Visual Culture

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Citations per year0.5
Citation span2008 - 2025 (18)
Highly citedNo

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