Prayer and the Art of Literature in Anselm of Canterbury's Proslogion
Bibliographic Data
| ID | 4370259 |
|---|---|
| Authors | Robert Glenn Davis (corresponding author) |
| Year | 2021 |
| Volume | 153 |
| Issue | 1 |
| Pages | 68-84 |
| Publication date | 2021-02-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Representations (JOURNAL) |
| Journal identifiers | ISSN: 0734-6018 • E-ISSN: 1533-855X |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/rep.2021.153.5.68 |
| OpenAlex | W3126646755 |
| Language | EN |
This article reads the Proslogion of the medieval theologian Anselm of Canterbury as a drama of seeking and finding God. It guides the reader through a process of rhetorical inventio, with all of its attendant risks, pleasures, and discontents. The text opens a space or gap of desire, speaking in the voice of the soul who seeks anxiously to find (invenire) God but turns up only absence. The "I" who speaks and addresses itself to itself and to God learns not to close that gap but to inhabit it, affectively and intellectually, just as the monastic rhetor must, when he directs his inventive activity to God
Art · Drama · Linguistics · Literature · Prayer · Rhetorical question · Soul · Theology · Biblical Studies and Interpretation · Media, Religion, Digital Communication · Medieval Literature and History · Philosophy · Religious studies · Religious Studies
| Highly cited | No |
|---|