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Prayer and the Art of Literature in Anselm of Canterbury's Proslogion

Bibliographic Data

ID4370259
AuthorsRobert Glenn Davis (corresponding author)
Year2021
Volume153
Issue1
Pages68-84
Publication date2021-02-01
Open AccessNo
TypeARTICLE
VenueRepresentations (JOURNAL)
Journal identifiersISSN: 0734-6018 • E-ISSN: 1533-855X
PublisherUniversity of California Press (PUBLISHER • US)
DOI10.1525/rep.2021.153.5.68
OpenAlexW3126646755
LanguageEN

This article reads the Proslogion of the medieval theologian Anselm of Canterbury as a drama of seeking and finding God. It guides the reader through a process of rhetorical inventio, with all of its attendant risks, pleasures, and discontents. The text opens a space or gap of desire, speaking in the voice of the soul who seeks anxiously to find (invenire) God but turns up only absence. The "I" who speaks and addresses itself to itself and to God learns not to close that gap but to inhabit it, affectively and intellectually, just as the monastic rhetor must, when he directs his inventive activity to God

Art · Drama · Linguistics · Literature · Prayer · Rhetorical question · Soul · Theology · Biblical Studies and Interpretation · Media, Religion, Digital Communication · Medieval Literature and History · Philosophy · Religious studies · Religious Studies

Highly citedNo

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