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Glimpses of the Supernatural

Altered States of Consciousness and the Graffiti of Tikal, Guatemala

Bibliographic Data

ID4374058
AuthorsWilliam A Haviland, Anita De Laguna Haviland
Year1995
Volume6
Issue4
Pages295-309
Publication date1995-12-01
Open AccessYes
TypeARTICLE
VenueLatin American Antiquity (JOURNAL)
Journal identifiersISSN: 1045-6635 • E-ISSN: 2325-5080
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.2307/971833
OpenAlexW2334050916
LanguageEN
Citations received14
References cited6

Application of a neuropsychological model, developed in the laboratory, to the graffiti of Tikal reveals that the great majority of the latter are products of altered states of consciousness, depictions of visions seen by people in states of trance in relatively private settings. Beneath this art's apparent surface disorder and haphazard arrangement lies a definite neuropsychological order. Consideration of the provenances of graffiti suggests that the practice of trancing was widespread in Classic times, at least among the elite class and upper stratum of commoners

Altered state · Art · Consciousness · Elite · Graffiti · Political science · Politics · Sociology · Vision · Visual arts · Anthropology · Archaeology and Rock Art Studies · Categorization, perception, and language · Neuroscience · Psychology · Public Spaces through Art · History · Law

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  • The Artifacts of Tikal--Utilitarian Artifacts and Unworked Material

    Hattula Moholy-Nagy•Artifacts of Tikal--Utilitarian…•2003

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    Open Access•Joyce Marcus•Journal of Archaeological Research•2003

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  • Personal Art in Teotihuacan

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  • Discovering Southern African Rock Art

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    J D Lewis‐william, J D Lewis-Williams et al.•Current Anthropology•1988

  • On Vision and Power in the Neolithic

    J D Lewis‐william, J D Lewis-Williams et al.•Current Anthropology•1993

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Citations per year0.61
Citation span2003 - 2026 (24)
Highly citedNo

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