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Imaginary Encounters

Walter Benjamin and the Aura of Photography

Bibliographic Data

ID4375589
AuthorsCarolin Duttlinger (0000-0002-2877-8434, corresponding author)
Year2008
Volume29
Issue1
Pages79-101
Publication date2008-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePoetics Today (JOURNAL)
Journal identifiersISSN: 0333-5372 • E-ISSN: 1527-5507
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/03335372-2007-018
OpenAlexW2036143857
LanguageEN
Citations received12
References cited8

This article explores Walter Benjamin's famous concept of the aura in relation to his writings on photography. Although Benjamin's "Artwork" essay charges photography with the decline of the aura of the traditional artwork, his essay on photography complicates this historical narrative, associating aura with early portrait photography but also with its successor, the commercial studio portrait. The childhood photograph of Franz Kafka, whose melancholy air serves Benjamin as an example of a paradoxical, post-auratic aura, recurs in his childhood memoirs, where the narrator projects himself into this picture. Benjamin's writings on photography thus develop an alternative concept of aura, one which transcends fixed historical or technological categories through the model of an imaginary encounter between viewer and image. This conception has far-reaching consequences not only for the theory of photography but also for its role within literature, as is suggested by Benjamin's empathetic engagement with the Kafka photograph and its incorporation into his own life story

Art · Art history · Aura · Literature · Memoir · Narrative · Photography · Portrait · Psychoanalysis · The Imaginary · Visual arts · Cinema and Media Studies · Franz Kafka Literary Studies · Psychology · Walter Benjamin Studies Compilation

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Unique citing works12
Citations per year0,71
Citation span2009 - 2025 (17)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 10

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