Indian Blues
The Indigenization of American Popular Music
Bibliographic Data
| ID | 4377359 |
|---|---|
| Authors | John W Troutman (0000-0002-0636-6690, corresponding author) |
| Year | 2009 |
| Volume | 83 |
| Issue | 3 |
| Pages | 42-46 |
| Publication date | 2009-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | World Literature Today (JOURNAL) |
| Journal identifiers | ISSN: 0196-3570 • E-ISSN: 1945-8134 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/wlt.2009.0185 |
| OpenAlex | W127593251 |
| Language | EN |
| Citations received | 2 |
tions were fast becoming generic, pan-tribal per formances that reflected a decreasing vitality and diversity of songs and dances. Any powwow sing er or dancer would immediately reject his analysis on the simple basis that tribally specific?and clan or family-specific?songs have vastly multiplied over the past century, just as intertribal powwow culture has proliferated to an extraordinary and quite heterogeneous degree. Yet equally profound in growth to powwow culture are the ways in which American Indians have also manipulated
Art · Art history · Blues · Clan · Indigenization · Popular music · Sociology · Theology · Visual arts · Vitality · Anthropology · Archaeology and Rock Art Studies · Diverse Musicological Studies · History · Indigenous Health, Education, and Rights
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,2 |
| Citation span | 2016 - 2021 (6) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |