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The Routledge Companion to Pakistani Anglophone Writing

Bibliographic Data

ID4377950
AuthorsMuhammad Imran (0000-0002-9633-1925), Jonathan Locke Hart (0000-0002-9782-828X)
Year2019
Volume93
Issue1
Pages110-110
Publication date2019-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueWorld Literature Today (JOURNAL)
Journal identifiersISSN: 0196-3570 • E-ISSN: 1945-8134
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/wlt.2019.0143
OpenAlexW4205296450
LanguageEN
Citations received4

Books in Review young man,” especially in France. One is surprised, though, by the ending of the Tales of Yusuf Tadrus, since the hero, Yusuf, seems to accept his lot but then suddenly decides to follow his adult children to America. The novel ends on a grim note about the future of Egypt: “Tell me, for God’s sake, when will the light shine on this country?” Gretchen McCullough American University in Cairo The Routledge Companion to Pakistani Anglophone Writing Ed. Aroosa Kanwal & Saiyma Aslam. London. Routledge. 2018. 416 pages. The Routledge Companion to Pakistani Anglophone Writing is a stupendous collection of essays, serving as a comprehensive preamble to historical, regional, local, and global issues ambient to cross-cultural relations , which are imperative to the reading of Pakistani anglophone literature. It covers the foremost issues such as terrorism, fundamentalism, intolerance, global security , and alienation in thirty critical essays. In addition, the book is a comprehensive and significant step toward the corollary of a transnational perspective of canon construction in Pakistani literature. Controversies and transformation have been observed in Pakistani anglophone literature since 1947. This companion reinforces the “presentness” of historical contexts, reminiscence, and their prodigious pertinence to what we think of as contemporary Pakistan. It includes eight parts, pursuing the basics of a historical understanding of Pakistani anglophone literature . Each part is interrelated to historical incidents such as civil wars, migration, ethnic and sectarian crises, and gender while covering minority issues such as Islamization, Talibanization, violence, otherness , and military dictatorships. For example, the earlier addressed phenomena of context and connection are hard to cover completely without political and social adherence to major historical events in Pakistan during General Zia’s dictatorial period (1977–88); the US-led Afghan jihad; Talibanization of Pakistan in the 1980s; the US attack on Afghanistan after 9/11; and the post-9/11 war against terrorism and religious and sectarian rivalries in the region based on multigenerational ethnic and political issues in the years of partition, first in 1947 and then in 1971. Through the interconnectedness of historical contextualization, the first two parts deal with partition events of 1947 and 1971 and the readers’ understanding of how partition continued to spatialize non-Muslim Pakistani identities, reassessing the forgotten national narrative and angularities in the “post-memory generation.” Part 2 links these angularities with the US-led Afghan war, 9/11 attacks, and Islamophobia along with stereotypes that Muslims and especially Pakistanis have experienced during the war against terrorism. The essays in part 3 underscore human rights contested widely in the Pakistani context, the subtlety of regional and local cultures and human agency as correctives to neo-Orientalized versions of operating dialectics: who says what, when, and why from what side of the power divide. The next two parts focus on vengeance and the complexity of Pakistani religious, social, political, and cultural contexts and history, including shifted gendered identities and multiple modalities of generation, sexuality, and nationalism. Part 6 critically evaluates the ways in which the sense of belonging and identity are addressed by the gestures of mobility and space. The last two parts present a thorough history of colonization and its contesting identities in which the comparison of narratological perspectives highlights the narrative unsteadiness and new horizons toward a Pakistani idiom. Pakistani diasporic authors act as interrogators of exoticism for metropolitan audiences and readers and take into consideration ideals and ideas about the literary canon; they investigate the “normative,” “curatorial,” and “dialogical ” attributes presented by various types of Pakistani anglophone literature. Students of postcolonial and Pakistani anglophone literature should find this companion a valuable addition in literary studies of space and mobility, contemporary South Asian literature, religions, cultures, gender, diaspora, postcolonialism, and feminism. Muhammad Imran & Jonathan Locke Hart Shanghai Jiao Tong University, China 110 WLT WINTER 2019

Dystopia · HERO · Literature · Media studies · Political science · Sociology · Gender Studies · History · Islamic Studies and History · Law · Politics and Conflicts in Afghanistan, Pakistan, and Middle East · South Asian Studies and Diaspora

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Unique citing works4
Citations per year0,8
Citation span2021 - 2025 (5)
Citation velocityrecent
Highly citedNo

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