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Afgrunden

Bibliographic Data

ID4379466
AuthorsAnna Paterson (0000-0002-1494-0875, corresponding author)
Year2016
Volume90
Issue2
Pages80-81
Publication date2016-01-01
Open AccessNo
TypeARTICLE
VenueWorld Literature Today (JOURNAL)
Journal identifiersISSN: 0196-3570 • E-ISSN: 1945-8134
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/wlt.2016.0092
OpenAlexW4205220780
LanguageEN

What may be most important about this novel is the fact that it further ties Kundera to the French language. In fact, I suggest that readers take Slowness, Identity, Ignorance , and The Festival of Insignificance as parts of one longer narrative that is decidedly French or, more accurately, explores the condition of the exile in France. With these novels we get snapshots of the European writer in exile and his perception of a post-Communist world. Because these novels can be read in one sitting, they are much more episodic and contemporary than Kundera’s earlier work. The Festival of Insignificance is the weakest of Kundera’s French novels, but that does not mean that it is, forgive me, insignificant. Kundera is now in his eighties , and while this does not make him a lesser writer, we do have to alter our own perceptions of Kundera’s overall oeuvre. If he keeps writing in French—and there is no reason to suspect that he won’t—then like Beckett before him, we can firmly situate him in the orbit of a world literature that works to move nationality (and nationalism) to the background. Andrew Martino Southern New Hampshire University Kim Leine. Afgrunden. Copenhagen. Gyldendal. 2015. 594 pages. Kim Leine’s new novel is not about Greenland ; the Danish ex-colony is the setting of Kalak (2007), Leine’s much-praised debut; Tunu (2009); and internationally successful Prophets of Eternal Fjord (2012), the first volume of a planned trilogy. Instead, Afgrunden (The abyss) explores war-torn northern Europe during the early decades of the twentieth century. The twin brothers, Ib, a medical student , and Kaj, a theologian, live in Copenhagen , but we meet them in 1918 as volunteer soldiers on their way to join Finland’s brief but vicious civil war. Class has influenced the brothers’ choice to fight with the establishment “Whites” against the proletarian “Reds.” The twins fight well; Ib actually seems to enjoy killing. This first part of the book is exceptional, an unflinchingly observant story about men at war. The second part, set in the interwar years, follows the brothers in a series of kaleidoscopically shifting scenes. Their love lives are restless, but their professional lives dominate: psychopathic Ib ends up as a psychiatrist then sidetracks to become a magic healer, while morally ambivalent Kaj gives comparative religion a miss and becomes a successful foreign correspondent. He is a keen observer of Germany, but as the Nazi regime claws its way to power, Kaj is first baffled and then frightened enough to betray his Jewish mistress to the police—a “normal” response in abnormal times. World Literature in Review 80 WLT MARCH / APRIL 2016 The third part, a rush of unchaptered narrative, takes place during the German occupation of Denmark and focuses on Kaj, now a methamphetamine-driven coordinator of samizdat news-sheets. Ib, too, has joined the Resistance but is a shadowy figure , close to cardiac collapse. The brothers both die in 1944: Ib in a hospital respirator and Kaj in Gestapo headquarters. He jumps to his death after having been tortured into submission by a German officer, the exhusband of Kaj’s one-time lover. So far, so gripping, but the fourth part is more remarkable still. It consists of short entries in Ib’s civil war diary during the months when, fascinated by the pain of others, he went AWOL in the Finnish hinterland . In part 1, that war, as seen by Kaj, makes some sense; “Ib’s war” is insane and unendurably beautiful. Arguably, the novel’s structure is further complicated—purists might call it “messed up”—by extras such as hospital case notes, a Gestapo report, philosophical asides (the spirit of Kierkegaard hovers), quotes from the Book of Revelation, fragments of letters , and alarmingly funny poetry. But the writing—intelligent, intense and sensuous —makes all these elements fuse into a compelling, readable whole. Afgrunden is an extraordinary and truly great novel. Anna Paterson Aberdeenshire, UK Cixin Liu. The Dark Forest. Trans. Joel Martinsen. New York. Tor. 2015. 512 pages. Suppose you know with certainty that in four hundred years a cosmic event will obliterate the human race. Suppose, for example, you are

Aesthetics · Art · Insignificance · Literature · Narrative · Nationalism · Political science · Politics · Trilogy · History · Law · Literature, Musicology, and Cultural Analysis

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