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Laughing with, Laughing at

Humour and Revolution in the 2019 Venice Pavilions of Chile and Egypt

Bibliographic Data

ID4380192
AuthorsChrisoula Lionis (0000-0001-6307-3790, University of Manchester, UK [email protected], corresponding author), Alkisti Efthymiou (0000-0002-2277-1274, PhD Candidate, Panteion University of Social and Political Sciences, Greece [email protected])
Year2021
Volume39
Issue2
Pages39-58
Publication date2021-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Cambridge Journal of Anthropology (JOURNAL)
Journal identifiersISSN: 0305-7674 • E-ISSN: 2047-7716
PublisherBerghahn Books (PUBLISHER • GB)
DOI10.3167/cja.2021.390204
OpenAlexW3195603143
LanguageEN
Citations received1
References cited13

The autumn of 2019 was characterised by an eruption of global protests, including Lebanon, Iraq, Ecuador, Chile, and Egypt. The velocity with which these protests emerged nurtured a sense that the Global South 'was on the march'. At the same time as these events were rapidly unfolding, the world's premier mass art exhibition, the Venice Biennale, was in its final weeks. Harnessing discourse analysis, participant observation, and collaborative auto-ethnography, the authors draw together a comparative study of the Chilean and Egyptian pavilions and assess the impact of ongoing and suspended revolutionary histories of both nations. Approaching art as a form of 'practical aesthetics' (Bennett 2012) and focusing on humour as an aesthetic quality enmeshed in complex political temporalities, this article analyses the relationship between humour, contemporary art, and revolution, demonstrating how the laughter facilitated by these two pavilions negotiates understandings of national pasts, and uprisings in the present

Aesthetics · Art · Ethnography · Exhibition · Laughter · Literature · Media studies · Participant observation · Political science · Politics · Social science · Sociology · Temporalities · Visual arts · Anthropology · Gender Studies · History · Humor Studies and Applications · Language, Metaphor, and Cognition · Law · Music History and Culture

  • Communal interaction and creativity as revolution

    Open Access•Sharda Rozena•City•2023

  • Laughter and Ridicule

    M Billig•Laughter and Ridicule•2005

  • Collaborative Autoethnography

    Heewon Chang, Faith Wambura Ngunjiri et al.•Collaborative Autoethnography•2016

  • The Evolution and Functions of Laughter and Humor

    Matthew M Gervais, Matthew Gervais et al.•The Quarterly Review of Biology•2005

  • Remaking Women

    Lila Abu-Lughod•Remaking Women•1998

  • The power of nonsense

    Jessica Winegar•British Journal of Middle Eastern…•2021

  • Angola and Kenya Pavilions in the 2013 Venice Biennale

    Isabelle Alice Zaugg, Emi Nishimura et al.•The Journal of Arts Management…•2015

  • The Rejection of Humor in Western Thought

    John Morreall•Philosophy East and West•1989

  • Soft power

    Joseph S Nye•Soft power•2004

  • The World as Exhibition

    Open Access•T Mitchell•Comparative Studies in Society…•1989

Unique citing works1
Citations per year0,33
Citation span2023 - 2023 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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