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Nomad Love and the War-Machine

"Michel Tournier's "Gilles et Jeanne

Bibliographic Data

ID4386984
AuthorsCharles J Stivale (corresponding author)
Year1991
Volume20
Issue2
Pages44
Publication date1991-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSubStance (JOURNAL)
Journal identifiersISSN: 0049-2426 • E-ISSN: 1527-2095
PublisherProject MUSE (PUBLISHER • US)
DOI10.2307/3684968
OpenAlexW2315812720
LanguageEN
References cited1

IN THE SECTION OF MICHEL TOURNIER'S intellectual autobiography, Wind Spirit, entitled The Mythic Dimension, Tournier reminisces about association with Gilles Deleuze at the Lyc~e Carnot in the early 1940s: All the tired philosophy the curriculum passed through him and emerged unrecognizable, but rejuvenated, with a undigested, taste that we weaker, lazier minds found disconcerting and repulsive (128). This perspective the Deleuzian fresh, undigested, taste newness has been vastly enlarged, not only in Deleuze's philosophical works and in the ambitious project he has undertaken in collaboration with Felix Guattari entitled Capitalism and Schizophrenia (AntiOedipus and A Thousand Plateaus). This bitter taste newness also emerges in Tournier's work in the tension between ecriture and sens, in what Colin Davis calls his simultaneous identification with both nomad and sedentary, when the former values the journey and the latter only the destination (205). It is the connection between nomadology (proposed by Deleuze and Guattari to conceptualize philosophical, political, ethical and textual multiplicity) and Tournier's re-mythologizing in the short recit, Gilles et Jeanne, that I propose to explore. In Tournier's tale, Jeanne d'Arc's quest and martyrdom are depicted for the transmutation they incite in the life and soul her notorious comrade-in-arms, the sire Gilles de Rais.' Through the brief but intense period military campaigns which Jeanne and Gilles share, the chevalier is transformed from merely one of those country squires from Brittany and the Vendee who had thrown in their lot with the Dauphin Charles (5; 9), into an isolated, tormented warlord waging own private, roving battle with forces known only to him and to henchmen. Tournier's reinscription the myth Gilles de Rais likens this transformation to an alchemical process becoming, ignited by the initial contact with Jeanne d'Arc and perpetuated through subsequent phases. It is from the perspective this becoming and its relation to nomadology that I will map out the textual coordinates, plotted through

Art · Art history · Michel foucault · Political science · Psychoanalysis · French Literature and Criticism · Philosophy · Psychology · Renaissance Literature and Culture

  • "Conceptual Politics and the War-Machine in "Mille Plateaux

    Paul Patton•SubStance•1984

Citation velocityhistorical
Highly citedNo

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