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The Invention of Forms

Perec's "Life A User's Manual" and a Virtual Sense of the Real

Bibliographic Data

ID4386985
AuthorsPaul A Harris (0000-0002-1744-2011, corresponding author)
Year1994
Volume23
Issue2
Pages56
Publication date1994-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSubStance (JOURNAL)
Journal identifiersISSN: 0049-2426 • E-ISSN: 1527-2095
PublisherProject MUSE (PUBLISHER • US)
DOI10.2307/3685068
OpenAlexW2320119272
LanguageEN
References cited4

Georges Perec's Life A User's Manual (La Vie mode d'emploi) has been hailed since its inception as a unique achievement, primarily because of its incredible formal and the sprawling range of its contents. The daunting set of arbitrary rules and self-imposed constraints that stipulate the text's raw materials catch the writer up in what strikes one as a neurotic net, an intricate artifice that stretches his intelligence to its ludic limits. Seemingly disinterested in re-presenting any single situation or extant state of things, Perec uses a hyperstructural conception to weave a text out of components existing in a universe of (Hartje, Magn6 and Neefs 30). From this standpoint, Life A User's Manual is an emphatically anti-mimetic text. Yet this self-contained literary invention generates a distinctive texture; by a kind of exfoliation, from a text determined by these lists and plans there emerges a visceral feeling for the little things in life. This pre-text or user's manual of life does not represent life; rather, it instantiates the real. Instead of reflecting the world by imitation, Perec manufactures the sense of the real by copying, generating in the process a form of what I will call second-order mimesis, an entirely different register of realism in literature

Aesthetics · Art · Copying · Epistemology · Feeling · Art, Technology, and Culture · Computer Science · Philosophy

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  • Oulipo

    B Mch, Warren Motte et al.•Poetics Today•1987

  • The Hidden Order of Art

    Anton Ehrenzweig•The British Journal of Aesthetics•1961

Citation velocityhistorical
Highly citedNo
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