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Just a Case of Mistaken Ancestors? Dramatizing Modernisms in Maryse Condé's Heremakhonon

Bibliographic Data

ID4389496
AuthorsEva Sansavior (corresponding author)
Year2014
Volume37
Issue2
Pages221-234
Publication date2014-07-01
Open AccessYes
TypeARTICLE
VenueParagraph (JOURNAL)
Journal identifiersISSN: 0264-8334 • E-ISSN: 1750-0176
PublisherEdinburgh University Press (PUBLISHER • GB)
DOI10.3366/para.2014.0123
OpenAlexW2034444970
LanguageEN
Citations received2
References cited3

The marked intertextual patterning of Maryse Condé's first novel Heremakhonon is a widely acknowledged feature, with the relationship between Condé's novel and Aimé Césaire's Notebook of a Return to my Native Land attracting the bulk of critical attention. Through close readings of to date unexamined dramatic codes in Heremakhonon, this article proposes to extend the cultural context in which Condé's text is traditionally read. Moving beyond the standard critical discussions of authenticity, I track Heremakhonon's mobile positionings in relation to polarizing debates in the broader French literary-critical field between engagement and modernism. This focus allows for an exploration of the complex sets of relationships between the cultures of modernism and engagement that provide the conditions of possibility for Condé's novel

Archaeology · Art · Art history · Literature · African history and culture studies · Caribbean and African Literature and Culture · Computer Science · History · Linguistics and Discourse Analysis

  • A false sister. A false foreigner”

    Christopher L Ward•Journal of the African Literature…•2019

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    Open Access•Jane Hiddleston•Angelaki•2022

  • Institute of Contemporary Arts

    Edward B Clark, Edward Clark•The Musical Times•1947

  • The Semiotics of Exile in Maryse Condé's Fictional Works

    Arlette M Smith•Callaloo•1991

Citations per year0.29
Citation span2019 - 2022 (4)
Highly citedNo

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