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Decolonial Queer Feminism in Donna Haraway's 'A Cyborg Manifesto' (1985)

Bibliographic Data

ID4389752
AuthorsLara Cox (corresponding author)
Year2018
Volume41
Issue3
Pages317-332
Publication date2018-11-01
Open AccessYes
TypeARTICLE
VenueParagraph (JOURNAL)
Journal identifiersISSN: 0264-8334 • E-ISSN: 1750-0176
PublisherEdinburgh University Press (PUBLISHER • GB)
DOI10.3366/para.2018.0274
OpenAlexW2899232518
LanguageEN
Citations received5
References cited5

This article explores the queer qualities of feminist scientist Donna Haraway's 'A Cyborg Manifesto' (1985). In the first part, the article investigates the similarities between 'A Cyborg Manifesto' and the ideas circulating in queer theory, including the hybridity of identity, and the disruption of totalizing social categories such as 'Gay man' and 'Woman'. In the second part, it is argued that 'A Cyborg Manifesto' evinced a decolonial feminist form of queerness. The article references the African-American, Chicana and Asian-American feminist sociology, theory, literature and history that 'A Cyborg Manifesto' takes up. The article does not wish to position Haraway's white-authored text as an authoritative voice on decolonial feminist queerness, instead arguing for the role of 'A Cyborg Manifesto' as a bibliographical work that readers may reference in their exploration of decolonial feminist beginnings of queer theory

Aesthetics · Art · Feminism · Feminist theory · Hybridity · Identity (music) · Intersectionality · Manifesto · Political science · Queer · Queer theory · Sociology · Anthropology · Gender Studies · Latin American and Latino Studies · Law · LGBTQ Health, Identity, and Policy · Race, History, and American Society

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Citations per year0.83
Citation span2020 - 2026 (7)
Highly citedNo

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