Unseen Warhol/Seeing Barthes
Bibliographic Data
| ID | 4389839 |
|---|---|
| Authors | Nicholas De Villiers (0009-0001-8776-4622, corresponding author) |
| Year | 2005 |
| Volume | 28 |
| Issue | 3 |
| Pages | 21-35 |
| Publication date | 2005-11-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Paragraph (JOURNAL) |
| Journal identifiers | ISSN: 0264-8334 • E-ISSN: 1750-0176 |
| Publisher | Edinburgh University Press (PUBLISHER • GB) |
| DOI | 10.3366/para.2005.28.3.21 |
| OpenAlex | W2045757529 |
| Language | EN |
Another opposition destroyed is that of inner/outer. Consider the Western theater of the last few centuries. Its function is essentially to reveal what is reputed to be secret (. . .) while concealing the very artifice of the process of revelation (. . .) With Bunraku, the sources of theater are exposed in their void. What is expelled from the stage is hysteria, that is theater itself, and what is put in its place is the action necessary for the production of the spectacle — work is substituted for interiority
Aesthetics · Art · Literature · Political science · Revelation · Spectacle · Art, Politics, and Modernism · Cinema and Media Studies · Law · Philosophy · Theatre and Performance Studies
| Citation velocity | historical |
|---|---|
| Highly cited | No |