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Burning Bridges

Defining the Interverse in the Music of U2

Bibliographic Data

ID4390440
AuthorsChristopher Endrinal (University of Massachusetts Lowell, corresponding author)
Year2011
Volume17
Issue3
Publication date2011-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMusic Theory Online (JOURNAL)
Journal identifiersISSN: 1067-3040 • E-ISSN: 1067-3040
PublisherSociety for Music Theory (PUBLISHER • US)
DOI10.30535/mto.17.3.6
OpenAlexW1604689445
LanguageEN
Citations received6
References cited7

Popular music analysis, particularly pop-rock analysis, presents several challenges. Despite the repetition and seeming simplicity of the harmonic progressions in many pop-rock songs, analyzing their form can be difficult. One of these difficulties lies in the terminology used to describe the sections within a song. Specifically, the term "bridge" is troublesome because frequently it does not adequately describe the function of the section it represents. Using the music of Irish group U2, this paper defines and illustrates the "interverse," a new term for the section traditionally called a "bridge" in pop-rock music, one that more accurately describes how the section relates to immediately preceding and succeeding material, as well as how it functions within the song as a whole. In addition to introducing new terminology, this paper also defines, illustrates, and distinguishes among the traditional sections of a pop-rock song, namely the introduction, verse, chorus, refrain, interlude, transition, and conclusion

Art · Astronomy · Chorus · Epistemology · Linguistics · Literature · Physics · Simplicity · Terminology · Computer Science · Diverse Musicological Studies · History · Music History and Culture · Musicology and Musical Analysis · Philosophy

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Unique citing works6
Citations per year0,46
Citation span2013 - 2025 (13)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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Open DOIOpen Access
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