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Webs and Snares

Multiple References in Babbitt'sHomilyandBeaten Paths

Bibliographic Data

ID4390570
AuthorsDaphne Leong (University of Colorado Boulder, corresponding author)
Year2011
Volume17
Issue2
Publication date2011-07-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMusic Theory Online (JOURNAL)
Journal identifiersISSN: 1067-3040 • E-ISSN: 1067-3040
PublisherSociety for Music Theory (PUBLISHER • US)
DOI10.30535/mto.17.2.8
OpenAlexW1523984450
LanguageEN
Citations received4
References cited3

Babbitt's propensity for multiple references ("puns") is explored through examination ofHomily(1987) for snare drum andBeaten Paths(1988) for marimba, two short percussion pieces based on the same 4-part all-partition array.Homilypresents an M7version of the array in time, changing durational units at each aggregate, and articulating lynes by dynamics.Beaten Pathspresents the array in pitch as two R-related arrays combined in a superarray, as well as in time, articulating lyne pairs in the former by register, and lynes in the latter by dynamics.Homilycross-references row segments that appear elsewhere in the array, whileBeaten Pathsindexes specific single-lyne partitions from elsewhere in the array via equal-duration strings. The works' interior cross-references illustrate how one string of sounds may refer to multiple structures quite different in kind, while the two works' distinct instrumental colors, array incarnations, cross-reference intricacies, and subset vocabularies demonstrate how one array type can give rise to sounds of vastly different effect

Art · Babbitt · Physics · Theoretical physics · Computer Science · Engineering · Music and Audio Processing · Music Technology and Sound Studies · Musicology and Musical Analysis

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Unique citing works4
Citations per year0,67
Citation span2020 - 2024 (5)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 4

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