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Clean as a Whistle

Timbral Trajectories and the Modern Musical Sublime

Bibliographic Data

ID4390768
AuthorsRebecca Leydon (Oberlin College, corresponding author)
Year2012
Volume18
Issue2
Publication date2012-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMusic Theory Online (JOURNAL)
Journal identifiersISSN: 1067-3040 • E-ISSN: 1067-3040
PublisherSociety for Music Theory (PUBLISHER • US)
DOI10.30535/mto.18.2.4
OpenAlexW1511836313
LanguageEN
Citations received3
References cited21

This essay attempts to develop an interpretative framework for effects of timbre in selected twentieth-century instrumental music. My approach draws on ethnomusicologist Cornelia Fales's concept of "perceptualization" in order to establish expressive associations of transparency and turbidity with sinusoidal purity and spectral noise, respectively. I explore how these sonic tokens of purity and impurity are in turn mapped onto concepts of spirituality and corporeality in music of Varèse, Stockhausen, Messiaen, Gubaidulina, and especially George Crumb, whose workBlack Angelsis singled out for a detailed discussion of its timbral processes and their interpretive possibilities

Acoustics · Aesthetics · Art · Ethnomusicology · Instrumental music · Literature · Musical · Spirituality · Timbre · Visual arts · Computer Science · Diverse Musicological Studies · Music Technology and Sound Studies · Musicology and Musical Analysis

  • I Have No Mouth (pts. 1–6)

    Ian Fleming•Leonardo Music Journal•2014

  • Consonance, Dissonance, and Formal Proportions in Two Works by Sofia Gubaidulina

    Open Access•Noah Kahrs•Music Theory Online•2020

  • George Crumb's Black Angels and the Vietnam War

    Abigail Shupe•Contemporary Music Review•2022

  • Auditory Scene Analysis

    Albert S Bregman•Auditory Scene Analysis•1990

  • Ecology without Nature

    Timothy Morton•Ecology Without Nature•2009

  • George Crumb's Channels of Mythification

    Victoria Adamenko•American Music•2005

  • The Harmonic Function of the Altered Octave in Early Atonal Music of Schoenberg and Webern

    Open Access•Alfred Cramer•Music Theory Online•2003

  • The Major Tritone Progression in Recent Hollywood Science Fiction Films

    Open Access•Scott Murphy•Music Theory Online•2006

  • Between Romanticism and Modernism and Postmodernism

    Open Access•Blair Johnston•Music Theory Online•2012

  • Timbre as Differentiation in Indie Music

    Open Access•David K Blake•Music Theory Online•2012

  • Music and Spirituality

    M Cobussen•CR The New Centennial Review•2007

  • Quotation and Framing

    Nils Holger Petersen•Contemporary Music Review•2010

  • The Paradox of Timbre

    Cornelia Fales•Ethnomusicology•2002

Unique citing works3
Citations per year0,25
Citation span2014 - 2022 (9)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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