Improvisational Fictions
Bibliographic Data
| ID | 4390800 |
|---|---|
| Authors | Paul Steinbeck (Washington University in St. Louis, corresponding author) |
| Year | 2013 |
| Volume | 19 |
| Issue | 2 |
| Publication date | 2013-07-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Theory Online (JOURNAL) |
| Journal identifiers | ISSN: 1067-3040 • E-ISSN: 1067-3040 |
| Publisher | Society for Music Theory (PUBLISHER • US) |
| DOI | 10.30535/mto.19.2.9 |
| OpenAlex | W4238023385 |
| Language | EN |
| Citations received | 2 |
| References cited | 12 |
Marion A. Guck, following Kendall Walton, has examined the "fictions" that underlie many analyses of European concert music. Here I discuss the fictions that we often tell in our analyses of musical improvisation, and I show how these fictions relate to recent developments in the interdisciplinary field of improvisation studies
Aesthetics · Art · Improvisation · Musical · Visual arts · Diverse Music Education Insights · Musicology and Musical Analysis · Neuroscience and Music Perception · Psychology
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,22 |
| Citation span | 2017 - 2019 (3) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |