Listening to Performers' Writings and Recordings
An Analysis of Debussy’s “Colloque sentimental
Bibliographic Data
| ID | 4390828 |
|---|---|
| Authors | Peter Kaminsky (University of Connecticut–Storrs, corresponding author) |
| Year | 2016 |
| Volume | 22 |
| Issue | 3 |
| Publication date | 2016-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Theory Online (JOURNAL) |
| Journal identifiers | ISSN: 1067-3040 • E-ISSN: 1067-3040 |
| Publisher | Society for Music Theory (PUBLISHER • US) |
| DOI | 10.30535/mto.22.3.4 |
| OpenAlex | W2548961171 |
| Language | EN |
| Citations received | 1 |
| References cited | 19 |
This essay offers a close analytical reading of Debussy's 1904 song "Colloque sentimental." Drawing on research in performance/analysis and performance studies that engages with performers' discourse, I analyze not only Debussy's score, but also commentaries on the song by Jane Bathori and Pierre Bernac, as well as Bathori's and Bernac's recordings. For an analyst, the cross-comparison of their respective commentaries and performances allows for rich interpretations of music and text that are unavailable from an exclusive focus on the score
Active listening · Art · Linguistics · Literature · Communication · Musicology and Musical Analysis · Neuroscience and Music Perception · Philosophy · Psychology · Theater, Performance, and Music History
| Unique citing works | 1 |
|---|---|
| Citations per year | 0.5 |
| Citation span | 2024 - 2024 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |