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Embodied Subjectivities in the Lyrical and Musical Expression of PJ Harvey and Björk

Bibliographic Data

ID4390830
AuthorsLori Burns (0000-0001-7944-9211, University of Ottawa), Marc Lafrance (0000-0003-0349-2031, Concordia University), Laura Hawley (University of Ottawa)
Year2008
Volume14
Issue4
Publication date2008-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMusic Theory Online (JOURNAL)
Journal identifiersISSN: 1067-3040 • E-ISSN: 1067-3040
PublisherSociety for Music Theory (PUBLISHER • US)
DOI10.30535/mto.14.4.1
OpenAlexW2368080971
LanguageEN
Citations received8
References cited23

Alternative female artists PJ Harvey and Björk negotiate themes of embodied female subjectivity not only as cultural concepts, but also as musical forms; their lyrical themes are crafted within a comprehensive network of creative textual and musical expression. This music challenges the analyst to explore systematically and describe coherently the links between the lived and embodied experiences developed in the song lyrics and the sonic and expressive elements in the music, in other words to explore the links between social and musical practice. This paper develops a music-analytic method for the interpretation of the dynamic musical processes that are engaged in a socially constituted artistic expression. Our objective is to illuminate embodied dimensions of meaning through the interpretation of the materials and strategies of lyrics and music

Aesthetics · Art · Embodied cognition · Epistemology · Linguistics · Literature · Lyrics · Musical · Musical expression · Subjectivity · Visual arts · Computer Science · Music History and Culture · Music Technology and Sound Studies · Musicology and Musical Analysis · Philosophy · Psychology

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Unique citing works8
Citations per year0,5
Citation span2010 - 2026 (17)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 7

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