Talking Back
Performer-Audience Interaction in Roscoe Mitchell’s “Nonaah
Bibliographic Data
| ID | 4390898 |
|---|---|
| Authors | Paul Steinbeck (Washington University in St. Louis, corresponding author) |
| Year | 2016 |
| Volume | 22 |
| Issue | 3 |
| Publication date | 2016-09-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Theory Online (JOURNAL) |
| Journal identifiers | ISSN: 1067-3040 • E-ISSN: 1067-3040 |
| Publisher | Society for Music Theory (PUBLISHER • US) |
| DOI | 10.30535/mto.22.3.8 |
| OpenAlex | W2554204020 |
| Language | EN |
| Citations received | 3 |
| References cited | 12 |
Many music scholars, particularly in jazz studies, have investigated performers' real-time sonic interactions with one another. Very few, though, have asked how musicians interact with their audiences. The following article examines a performance that demands this kind of analysis: a 1976 concert in which saxophonist Roscoe Mitchell is confronted by an audibly hostile audience
Art · Art history · Humanities · Jazz · Luck · MOZART · Performing arts · The arts · Theology · Visual arts · History · Music History and Culture · Musicology and Musical Analysis · Theater, Performance, and Music History
| Citations per year | 0.3 |
|---|---|
| Citation span | 2016 - 2022 (7) |
| Highly cited | No |