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Embodied ephemeralities

Methodologies and historiographies for investigating the display and spatialization of science and technology in the twentieth century

Bibliographic Data

ID4392901
AuthorsMarc Fleming (0000-0003-4416-1001, British Museum, corresponding author)
Year2021
Volume59
Issue2
Pages197-219
Publication date2021-06-01
Open AccessYes
TypeARTICLE
VenueHistory of Science (JOURNAL)
Journal identifiersISSN: 0073-2753 • E-ISSN: 1753-8564
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/0073275319858528
PMID31328558
OpenAlexW2964180758
LanguageEN
Citations received1

Exhibitions are embodied knowledge, and the processes of making exhibitions are also in themselves knowledge production practices. Science and technology exhibitions are therefore doubly of interest to historians of science: both as epistemic agents and as research methods. Yet both exhibitions and exhibition-making practices are ephemeral, as is the subsequent experience of the visitor. How can we research, interrogate, and understand both the productive creation of exhibitions and the phenomenologies and epistemologies of their reception and impact? "Exhibition histories" has become a significant field of late, most closely associated with research on art exhibitions but also extending to world and trade fairs, and now increasingly crossing over into histories of science and technology. It is not an easy task: the range of exhibition archive materials includes - but is not limited to - 35mm slides, architectural blueprints, models, drawings, briefs, memos, budgets, press films, reviews, and personal accounts. This primary material is distributed unevenly across public and organized repositories, closed commercial archives, the personal papers of designers, often embargoed national bureaus of information, and more. Further, the experience of visiting an exhibition leaves far fewer traces to follow, requiring the researcher to do different kinds of things with the same widely varied material. This paper proposes methodologies for historians of science and technology wishing to understand the spatialization of science in exhibition contexts, the impacts of science exhibitions, and the more elusive phenomenological aspects of the exhibition visitor experience. Historians of science must accurately historicize context while researching both along and against the grain of archival material left by the making of exhibitions, as well as understanding the embodied trajectories of visitors. The practice of making exhibitions can also offer the researcher critically valuable insights into what to look for - and what may be absent - in archival records

Archaeology · Art · Context (archaeology) · Craft · Embodied cognition · Epistemology · Exhibition · History of science · Sociology · Spatialization · Visitor pattern · Visual arts · Anthropology · Computer Science · Historical Studies and Socio-cultural Analysis · History · History of Science and Natural History · Museums and Cultural Heritage

  • The spatial inscription of science in the twentieth century

    Open Access•Annie Bergeron, Charlotte Bigg•History of Science•2021

Citations per year0.2
Citation span2021 - 2021 (1)
Highly citedNo

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