Bubbles, Tracks, Borders and Lines
Mapping Music and Urban Landscape
Datos Bibliográficos
| ID | 4408596 |
|---|---|
| Autores | Sara Cohen (0000-0001-5841-0721, autor de correspondencia) |
| Año | 2012 |
| Volumen | 137 |
| Número | 1 |
| Páginas | 135-170 |
| Fecha de publicación | 2012-01-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Journal of the Royal Musical Association (JOURNAL) |
| Identificadores de la revista | ISSN: 0269-0403 • E-ISSN: 1471-6933 |
| Editorial | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1080/02690403.2012.669939 |
| OpenAlex | W2031577785 |
| Idioma | EN |
| Citas recibidas | 24 |
This article explores the relationship between music and material urban environments by drawing on ethnographic research with rock and hip-hop musicians. The first of its three sections introduces some of the musicians who participated in that research and the maps they drew to illustrate their music-making activities in the city. The second compares these hand-drawn maps and their various lines and patterns, and relates their differences to music genre and particular urban conditions. The final section of the article explores the broader implications of the maps for conceptualizing the relationship between music and material environments. It starts by considering notions of articulation and mediation and their usefulness for understanding relations between music and material urban environments. Focusing on the maps' detailed lines and patterns, it then describes how music and music-making are mediated by material urban environments, a process involving the navigation of journeys and boundaries and the forging of multiple relations along the way
Aesthetics · Art · Ethnography · Mediation · Music Geography · Music history · Musical · Political science · Social science · Sociology · Visual arts · Anthropology · Computer Science · Diverse Musicological Studies · Music History and Culture · Public Spaces through Art
À margem da capital
Spatializing the Musicking Of an Expressive Urban Imagination
Présentation
Transforming Ethnomusicology Volume II
Transforming Ethnomusicology Volume I
Ethical Friction
Music Endangerment, Repatriation, and Intercultural Collaboration in an Australian Discomfort Zone
The Earth Is (Still) Our Mother
The Modernity of the Songlines
(Anti)Tédio Boys
From Thin to Deep
Music Heritage, Music-evoked Reminiscence and Cultural Identity
Mapping the ‘beat’
Cultural commodities as cultural economies
Musical memory, heritage and local identity
Mapping as a Complementary Perspective on the Dynamics of Participation in a City’s Musical Life
Songlines Are for Singing
Kazoos, Lamellophones, and the Invention of the Sansiba
Mapping Africa’s musical identities
Researching Music- and Place-Making Through Engaged Practice
Postcolonial paths of pop
Mapping street sounds in the nineteenth-century city
The digital subversion of urban space
Music, Knowledge and the Sociology of Sound
| Obras citantes distintas | 24 |
|---|---|
| Citas por año | 1,71 |
| Intervalo de citas | 2012 - 2025 (14) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 21 |