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Sing it for Me

Posthuman Ventriloquism in Recent Popular Music

Bibliographic Data

ID4408933
AuthorsJ Auner (corresponding author)
Year2003
Volume128
Issue1
Pages98-122
Publication date2003-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of the Royal Musical Association (JOURNAL)
Journal identifiersISSN: 0269-0403 • E-ISSN: 1471-6933
PublisherCambridge University Press (PUBLISHER • US)
DOI10.1093/jrma/128.1.98
OpenAlexW4244628569
LanguageEN
Citations received12

Aesthetics · Art · Literature · Posthuman · Visual arts · Music History and Culture

  • The Future is Female! Trans(human) Voices of Cher and Anohni

    Open Access•Konrad Sierzputowski•Annales Universitatis Paedagogicae…•2021

  • ‘How We Were Never Posthuman’

    Open Access•G Douglas Barrett•twentieth-century music•2022

  • Reconfiguring Voice in The End

    Open Access•Jessica Tsun Lem Hui•Cambridge Opera Journal•2022

  • Every time I dress myself, it go motherfuckin' viral

    Open Access•Michael Waugh•Popular Music•2020

  • Autotuned Belonging

    Carolyn Ramzy•Ethnomusicology•2016

  • The reincarnation of an Egyptian queen

    Richard L Elliott, Richard J Elliott•Jazz Research Journal•2022

  • Voices of Meenakumari

    A Weidman•South Asian Popular Culture•2012

  • Living in the Immaterial World

    Ken Mcleod•Popular Music & Society•2015

  • The composition of posthuman bodies

    Samuel Wilson, Samuel J Wilson•International Journal of…•2017

  • The Techne of YouTube Performance

    Open Access•WILLIAM O'HARA, William O’Hara•Music Theory Online•2022

  • Voces pitchicateadas? Altura, timbre y color en las voces del género urbano chileno

    Open Access•Laura Jordán, Gabriel Rammsy•Resonancias Revista de…•2025

  • Anthropology and Voice

    A Weidman•Annual Review of Anthropology•2014

Unique citing works12
Citations per year0,86
Citation span2012 - 2025 (14)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 7

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