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Terminologie musicale en Guadeloupe

Ce que le Créole nous dit de la musique

Bibliographic Data

ID4412679
AuthorsMarie-Christine Lafontaine, M Lafontaine (corresponding author)
Year1985
Volume32
Issue1
Pages7-24
Publication date1985-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueLangage et société (JOURNAL)
Journal identifiersISSN: 0181-4095 • E-ISSN: 2101-0382
PublisherPERSEE Program (PUBLISHER)
DOI10.3406/lsoc.1985.2020
OpenAlexW1970679599
LanguageEN
Citations received3

Lafontaine Marie Céline, "Musical terminology in Guadeloupe (What creole tells us about ausic)" Within a census and a semantic analysis of folk terminologies about music in Guadeloupe, the analysis of eight chosen terms in the corpus induces the following statement: popular layers of society appeal to their own 'practices' and 'constituted musical objects', and if they do distinguish between several musical 'genres', they include them in a single system of representations which defines the main features of Guadeloupe's music. This discourse does not place itself in the field of the dichotomy "occidental music/african music" that middle and petit-bourgeois classes forward for abstract nationalist reasons in a theoretical debate about identity

Art · Creole language · Humanities · Linguistics · Literature · Musical · Terminology · Caribbean and African Literature and Culture · History · Island Studies and Pacific Affairs · Migration, Identity, and Health · Philosophy

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Unique citing works3
Citations per year0,09
Citation span1991 - 2022 (32)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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