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Suffering in Whitened Frames

Historical Films and Representations of Slavery in Rio de Janeiro during the First Republic (1907-1916)

Bibliographic Data

ID4434572
AuthorsPedro Vinicius Asterito Lapera (0000-0002-7547-1566, Fundação Biblioteca Nacional, Brasil, corresponding author)
Year2023
Volume39
Issue80
Publication date2023-05-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueVaria Historia (JOURNAL)
Journal identifiersISSN: 0104-8775 • E-ISSN: 1982-4343
PublisherFapUNIFESP (SciELO) (PUBLISHER)
DOI10.1590/0104-87752023000200015
OpenAlexW4387463831
SCIELO_PIDS0104-87752023000200014
LanguageEN
Citations received1
References cited11

The theme of this article is the encounter between some historical films that portrayed slavery in Classical Antiquity and Rio de Janeiro's public scene during the First Republic, more precisely in the period between 1907 and 1916. Our main argument is that the consumption of such historical films contributed to the whitening of experiences of slavery in the common sense of carioca spectators of the time. The circulation of such productions thus fostered an erasure of the traumatic experiences that slavery represented for Afro-Brazilian populations. Our sources are the films A Slave's Love and The Slave, available in online databases of the Library of Congress and Cinémathèque Française, as well as advertisements published by several newspapers concomitantly to their exhibitions and collected in the Hemeroteca Digital da Biblioteca Nacional. In our conclusion, we emphasize how the narratives of the films used procedures related to the massive genre of melodrama and, in their consumption, obscured some references that were closer to carioca spectators' experiences of slavery in Brazil

Aesthetics · Argument (complex analysis · Art · Art history · Consumption (sociology · Exhibition · Literature · Media studies · Narrative · Newspaper · Period (music · Sociology · The Republic · Theme (computing · African history and culture studies · Colonialism, slavery, and trade · History · History of Medicine and Tropical Health · Philosophy

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    Open Access•Pedro Vinicius Asterito Lapera•Antíteses•2025

  • The melodramatic imagination

    Peter Brooks•The melodramatic imagination•1976

  • O mundo dos bens

    Open Access•Sérgio Sant'Anna, Sérgio Robert de Sant'Anna•Revista de Administração…•2005

  • A representação da história no cinema brasileiro (1907-1949)

    Open Access•Eduardo Victorio Morettin•Anais do Museu Paulista História…•1997

  • Slaves on Screen

    Anne Serafin, Natalie Zemon Davis•The International Journal of…•2001

  • O negro no cinema brasileiro

    Open Access•Noel Dos Santos Carvalho•Plural•2003

  • Dos vestígios às imagens

    Open Access•Pedro Vinicius Asterito Lapera•Comunicação, Mídia e Consumo•2015

  • O olhar e a cena

    Open Access•Sergio Mota•Tempo Social•2004

  • De 'bom exemplo' em 'bom exemplo

    Open Access•Pedro Vinicius Asterito Lapera•Cadernos Pagu•2020

  • Terms of Inclusion

    Antonio Sergio Alfredo Guimaraes, Ana S Guimarães•Ethnic and Racial Studies•2012

Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1
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