Except for Law
Raymond Chandler, James Ellroy, and the Politics of Exception
Bibliographic Data
| ID | 4440751 |
|---|---|
| Authors | Lee Spinks (corresponding author) |
| Year | 2008 |
| Volume | 107 |
| Issue | 1 |
| Pages | 121-143 |
| Publication date | 2008-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | South Atlantic Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 0038-2876 • E-ISSN: 1527-8026 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/00382876-2007-059 |
| OpenAlex | W2120473138 |
| Language | EN |
| Citations received | 1 |
The concept of the "state of exception," which is so crucial to Giorgio Agamben's claim for the continuity between the ancient founding of the polity and modern biopolitics, enables us to rethink more local and specified historical and aesthetic changes. By examining the genre of the roman noir in the works of Raymond Chandler and James Ellroy, I will argue that we can witness a generic shift in the status of the "state of exception." This shift concerns the relation between commodity culture, the law, woman, and the border figure of the detective, who is at once within and beyond the legal code
Art history · Biopower · Legal culture · Political science · Politics · Polity · Relation (database) · Sociology · State (computer science) · State of exception · Witness · Crime and Detective Fiction Studies · Crime, Deviance, and Social Control · History · Law · Law in Society and Culture · Philosophy
| Citations per year | 0.08 |
|---|---|
| Citation span | 2014 - 2014 (1) |
| Highly cited | No |